#theWriterlyBugJuice(v)31/03/16-The Shadow of the big boss


 

Critical distance affords those who watch unfolding events from a distance a vantage viewpoint. For the actors in the unfolded events only in hindsight can they make sense of the nexus of those events.


HISTORYWe were not actually sure but it was there, like a hunch that everybody feels at the same time but for lack of a firmer grasp of reality do not want to or cannot acknowledge what’s happening because time has yet to give the unfolding phenomena in front us a shape, a form.  And perhaps, at a sympathetic level that is, everyone is hesitant to acknowledge what is happening because all are in it – all are in the box-set of a moment with no leeway for critical distance myopically. I saw it flush around on the faces of majita like a shadow of doubt or a bulb moment as the judgment was passed on by the principal (most of the time pronounced presbala) flanked by the Tight Three: SRC’s president, chairman of the SGB and Prime leader of the Educators. It was a disciplinary hearing and they were facing the rest of those attending the hearing in the staff hall. Our parents dotted that sea of attendees.  On the opposite side with us sat our leader, head sunken to his barrel chest, I could not make out what was going on in his mind due to his sunken head  and the fact that I beheld it oblique as I was sitting several people away on his left so the positioning of his face defied a reading. His mom sobbed silently while his dad sat unemotionally on the right hand side of the two rows of chairs separated by an isle facing the big boss and the rest of us. I come to think of it I never thought of him as a mama’s boy kinda of an ou. Clearly his pap could not care less. I laughed silently imagining how the old man was dragged from home to hear a stout baas’s case.

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Brenda Ngxoli

There is a scene in the last episode of the season finale of Rockville S3, Episode 13 (Ferguson Films), Lindi (Mbali Mlotshwa) and Gladys (Brenda Ngxoli) are at the Clinic for Lindi’s abortion. Brenda Ngxoli gives a powerful performance as she lets her skeletons out that she aborted a baby during her teens and as a result she can’t conceive. Her barrenness, which in hindsight, it is suggested, she brought unto herself was a source of ridicule in the community and would later cause her to lose her marriage as she trotted along through life keeping the secret to her husband that she aborted a baby during her teens. As she relates this darker chapter of her life you can’t help it but be moved. It is Gladys the loose woman, the drunkard, who speaks here, however as much as the viewer may think ill of her that, ke le kgawate, unable to hold on to other people’s secret. You will feel for her. For her human condition is brought to the spotlight for our scrutiny. Overarchingly, the viewer will find and feel an ounce of sympathy go towards these troubled women as tears roll down their cheeks drenching the hospital’s floor. But, from a performance text perspective, the solicited sympathy will linger a little a while on Gladys for as long a time as the scene persists due to the pain that has reared forward within her character and insist on staying in the midst of the event of this series’ episode. Such are the acting prowess of Brenda Ngxoli. Err, the Fergusons, he e, he e, he e, he e, he e; he e man (I almost said – go monate go ba wena); mara you get my drift. We look forward to the next season already.¶

1 April

Autumn

© mmutle arthur Kgokong 2015

Speed Blog: 21 September 1976

I am writing this shortly before I turn 38. Let me give it to you in a straight line, I never feel any different on my birthday. But naturally like any other person I do reflect on the preceding year with some sweetness and bitterness. Besides, due to the fact that I am not a hermit there will be reminders in the morning that I am not alone in this journey we call life as close friends, family and colleagues heap happy birthday and a good year ahead wishes to me.

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