Itshitshi

Τhere are works of art that braves to tackle contemporary issues with verve and hold water while doing so and there are those that do exactly that within the confines of a small canvas scale, as far as cinematographic time accorded them is concerned, and manage to just get it perfect, leaving no loose ends and nuancing the demise or triumphs of the human spirit for us to think about. Thapelo Motloung’s Itshitshi (2017) fits snugly into the second paradigm

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Film Review: Elinye Ithuba

♦  ♦  ♦  ♦  /  –

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Τhere is a moment in Elinye Ithuba wherein Dumisani (Blondie Makhene) and Hlengiwe (Slindile Nodangala)are reminiscing about the past and laments the time that Dumisani missed while he was in jail and music is playing in the background. Jovially he asks her who is the musician playing this good music and Hlengiwe responds that it is Blondie, surprisingly Dumisani exclaims that who would’ve thought that Blondie would still be singing after all these years

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Film Review: The Ring

image source: http://rndcdn.dstv.com/dstvcms/2015/12/08/ring.jpg
image source: http://rndcdn.dstv.com/dstvcms/2015/12/08/ring.jpg

There are works that simply repeat what we have seen before by just changing the context within which their narratives are rooted and then push the narratives towards us. One, supposedly a discerning viewer, can forgive such narratives for their repetitive swing if they are adorned with strong points in their construction. If the work is revisionist in its take of the subject matter concerned then the discerning viewer is in for a treat. If there is a lack in this regard but the work makes up for it in its actors performances or its production design which may represent a strong center point in the delivery of the narrative, the viewer – discerning or lay, may be forgiving as far as the failure of the work to advance story telling is concerned. The Ring, which falls in the latter spectrum is rescued by an ensemble of its actors as it tries to impress

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Film Review: Ilizwi

♦  ♦  ♦  / – –

Ilizwi
Image Source:  https://pbs.twing.com/media/CVxVrIZU8AAoQqY.png

The story of paranormal activity with a twist of traditional African beliefs has been told before. In any case it would seem quite weird but not impossible for a protagonist to be inserted in a story set in South Africa wherein they are mysteriously blessed with telepathic prowess without attributing their power to some ancestral lineage. Imagine if there was such a film? Contextually speaking the creatives involved will have to push the imaginary envelope where no one has gone before. That place does exist. It is outside of the box

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Film Review: Sugar & Spice

(♦♦♦−−)

{f} there is anything that can disappoint one with films is when a film ends and you as the viewer feel it did not give its all, when it feels short or even hurried. When you feel there are a lot of knots left undone. A sort of uncrossed t’s that begs crossing. If a film is minimal as a work of art it should established such an idea right at the opening scenes. Its detail to economy will demand that it is judged on that merit. However even such work will wrestle with its closing final scenes if it is to be accomplished by way of its consistency in order for us to regard it as a finished piece albeit minimal. Sugar & Spice leaves us with a bitter sweet taste because it fails to round of its rich discourse, instead, it erects questions right about the end of its crux narrative and that is its only flaw.

Mzansi Bioskop

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