EarVasion – SAKHILE MOLESHE: The Final Call

SAKHILE MOLESHE: The Final Call

Released: December 21, 2018

label: Imilozi Music

Number of tracks: 15

Length: 1:09:12

Here is an album that challenges monotonous conventions while proving that an album does not have to be one thing; it can be many things held together by artistic innovation and creativity.

sakhile moleshe screenshot_20190122

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Intraparadox: Interview with Lebohang Kganye

Mohlokomedi wa Tora

»On the 30 August 2018 at the Pretoria Art Museum I had the privilege of interviewing Lebohang Kganye on her solo exhibition Mohlokomedi wa Torai. The body of work that she has produced for this project gives two matriarchical perspective of her family narratives from where Ke Sa Le Teng her SASOL New Signatures winning video installation left of.

Mohlokomedi wa Tora Installation 1

Mmutle Arthur Kgokong: Thank you Lebohang for agreeing to talk to me once more. Uhm, it is a very interesting exhibition from the winning work last year. When I first saw that it is an installation I was struck by the fact that you have included your old man in this exhibition to give us that familiar element in your work. I just wanna ask you, you know, how has it been for your to create a new body of work for this solo project? Having won the prize last year, how did you produce this work?

Lebohang Kganye: I think it is daunting, I think even when I won it, I have been thinking about working in a particular way or experimenting with something very particular which was installation. I have already done it but I have never really resolved it, I have been doing it for the animation pieces and for the photography element uhm people should experience the work in that was, but I have never resolved it how to… because it was temporal, because it was softer cardboard. How to make it stand. Or be more permanent if you can say so was not really resolved. So this was great because it allowed me the time I had a good budget to kinda figure out and experiment with that. So I think it was great because I already had an idea of what I wanted to do was an installation, even though I wanted it to move, and this and this and that, but it was just such a great starting point and I am extremely excited about how this part of it is resolved

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Itshitshi

Τhere are works of art that braves to tackle contemporary issues with verve and hold water while doing so and there are those that do exactly that within the confines of a small canvas scale, as far as cinematographic time accorded them is concerned, and manage to just get it perfect, leaving no loose ends and nuancing the demise or triumphs of the human spirit for us to think about. Thapelo Motloung’s Itshitshi (2017) fits snugly into the second paradigm

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Film Review: Rise

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Xolile Tshabalala as Fezeka Dlamini in a scene from Rise, image source – http://mzansimagic.dstv.com/2015/01/07/original-mzansi-magic-movie-rise/#

This is a tale about an idealist educator who arrives at a very low morale school in Alexander and takes it upon herself to try and change the attitude of the learners. I couldn’t help but think back to the early nineties when I underwent my high schooling years and wondered how our teachers made it without wifi hotspots and such, although we did have a laboratory which was utilized fully, but the internet was a myth of sci-fi proportions and our educators oozed with gusto and love for their calling. Fezeka Dlamini(Xolile Tshabalala), an orphan, is a university graduate with a science degree, actually an arsenal of them as we learn later. Her altruistic deeds pushes her to opt to give back the learners of the school she is posted to since she herself was fortunate to be given the opportunities she’s had

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