I have no recollection how we got Fifi boxed in that afternoon. It was raining lightly and as the raindrops dews splattered gently besides the drain furrow, moistening the soil and collecting into streams around us to flowing into the furrow where our tussle was underway as our figures wrestled that of Fifi. Three against one. The power of memory is able to jolt scenes into stark relief without their sources except the impressions left behind by byways that lead us there time and again for a lifetime.
I don’t think anyone can say with confidence that they have seen this coming. Perhaps it was there at the back of our collective minds; I am talking to those of us who care about television. That there is no way, mhum let me correct my self here before I err – that there was no way that DStv would compete with Naspers Showmax. After all the two can easily trace their ancestry to a common ancestor, Naspers. On 13 June 2016 the two platforms came out in public to announce their union∇
23 March 2016
[Mmutle Arthur Kgokong: Good morning Banele Khoza]/[Banele Khoza: Hello Mmutle, how are you?]/[Mmutle AK: I am very well thank you, uhm welcome to Intraparadox, ehh I am glad you were able make time and see me ahead of your exhibition at the art museum which has something to do with your feelings, but we get to that point ehh towards the end of our interview. How are you doing man?]/[Banele K: I am good,
sorry, I am pretty…I am good. I think for me it is such a huge honor for me for this to be happening cause you have mentioned so many times that you will be interviewing someone, interviewing someone and, I think the past years when I heard I was like, ….yoh, I wish I could be in that spot as well, just the same exhibition I think when I saw Vusi’s one last year I was like …woh… I wish I could do this. So for me, I think I am really excited that it has come to my side as well.]/[MAK: Well I am glad to hear that because everybody has a fair chance to show to the world their artistic contribution and I think for someone who works hard like yourself ehh this is a well deserved opportunity. And ehh maybe we can even say that, as they say, things happen at the right time and at the right moment. Yah uhm with the formalities out of the way I just want us to go back to the beginning of your life so that we can sketch your portrait. Uhum where were you born?]
♦ ♦ ♦ ♦ / –
Τhere is a moment in Elinye Ithuba wherein Dumisani (Blondie Makhene) and Hlengiwe (Slindile Nodangala)are reminiscing about the past and laments the time that Dumisani missed while he was in jail and music is playing in the background. Jovially he asks her who is the musician playing this good music and Hlengiwe responds that it is Blondie, surprisingly Dumisani exclaims that who would’ve thought that Blondie would still be singing after all these years∇
The Quadrille of Torture, Pain, Steel and Paint
14 May 2016
Pretoria Art Museum
I spoke to Ilandi Barkhuizen on the morning of 14 May ahead of a group exhibition that will feature her work at the St. Lorient Fashion and Art Gallery on 15 May 2016 until 4 June 2016.
Mmutle Arthur Kgokong. Good morning Ilanda Barkhizen, I hope I am pronouncing your name correctly there
Ilandi Barkhuizen. Oh its fine I heard worse (Laughs)
Mmutle AK. yes, so my pronunciation is on spot?
Ilandi barkhuizen. Yes!
MAK. Thank you, welcome to Intraparadox a platform for interviewing artists of all calibers it really does not matter whether the artist sees themselves as a fully practicing artist or whether as a beginner. The idea of the platform is to try and reveal the person, the artist, the person behind the work and …at the moment I hope you are excited with the exhibition
The preoccupation with the surface area in art making is an integral part of art practice as much as the development of new media is. It is an area that we often don’t give attention to when we look at works of art, yet it is there. It is a pedestal unto which ideas are communicated to us. The ancient artists, the San Hunter Gatherers, understood this; for instance they would use the bulge of the inside of the cave’s surface to express the bump of an antelope in an attempt to mimic form∇
Refilwe Art Reach
6 February 2016 at 11:00, Pretoria Art Museum
Mmutle Arthur Kgokong: good afternoon Nthabiseng Montshiwa it is a pleasure to have the opportunity to interview you again after five years, exactly five years because the last interview we had was in 2010 and we are now in 2016 and today is the 6th of February and we are here talking about your…the project that you are currently working on which is Refilwe Art Reach. So I want to welcome you to Intraparadox, uhm following our first interview many years ago which is ehh five years really, how has the art industry treated you up to this point?
Nthabiseng Rachel Montshiwa: ehh firstly hello Mmutle I am grateful that you could make time to do this interview with me again. The art industry is very fluid. You can never say you are holding ground on a specific project, [otherwise when you are faced with a challenge] and things do not go well you become more frustrated. I have learned that you must always find concepts or avenues to explore especially based on the maturity level that one finds herself in these years so it has been ups and downs because clearly you can’t put food on the table every month and you can’ sustain your self the way you would like to
Mmutle AK: …uh-hum…
Nthabiseng RM: so you must constantly explore funding you must be selling things. But also not shooting your self on the foot by doing wrong concepts which might mislead you in this career. So from being a curator or an arts administrator at the time…I am still an administrator respectively…but we are not concentrating on art exhibitions any more because we would like to find other vocabulary to define what art exhibitions should be and what they should actually address. We have moved to art education programs for children in public schools specifically
NRM: So that’s the change I find my self in now and it has been fantastic.