Now as I jot this article that artwork has evolved from being an aggravating work praised as brave and avant-garde to a vandalized artwork following two men who entered the gallery, apparently total strangers to each other, and took turns defacing the painting. While the white man crossed both the face and the genitalia with red paint the black man smeared black paint both on the face, part of the right side of the figure and the genitalia area. While the black man who vandalized the artwork after the white man was the first to be arrested the white man almost fled the gallery uncaught if it weren’t for the press that pointed out he should be also be arrested. I shall stop here with this description of the work and the incident surrounding its defacing lest I lose sight of what I am concerned with here. But I wish to venture that the artwork now has attained a state of a performance piece with the added actions of the two men. Though defaced, it has not lost its gravity as offensive and vulgar. It has now being relegated to a pseudo avant-garde by bourgeois standards but far from kitsch considering its genesis and the new meaning it is pregnant with.… Read More Neo Resistance Art and its Fallacy (final edit!)