Towards PLOSC and SLOSC Critic (part 1)

Abbreviated as PLOSC the Primary Level of Social Critique is transparent. Indeed Plosc could be thought of as the obvious aspects of what the work of art is about without recourse to the artist commentary on their own work to shine a torch ahead of us in aiding to reach a conclusion as to what the work is concerned with. Here our nearness to the culture and time that has given birth to the artist privileges us to be in step with the artist, to sort of ‘get him’.… Read More Towards PLOSC and SLOSC Critic (part 1)

Rate this:

Neo Resistance Art and its Fallacy

Let us acknowledge that once the artwork goes public and holds its attention the artist is grabbling with external stimuli however the mode within which the artist is grappling with the issues concern shifts and heightens from personal to public. When the ground on which he operates shifts and heightens unfortunately for him He is no longer a private person entitled to their personal views, he speaks to the people for the people. The artist is no longer on a personal journey but he has harnessed the interests of the people. Positively he will be seen as endorsing the interests of those whose values he upholds and negatively he has taken a confrontational stance towards those who are opposed to the ideals reflected in his work. By hook or crook he now represents the ideals of a particular group of the society within which his practicing exists. He is positioned. … Read More Neo Resistance Art and its Fallacy

Rate this: