On the artist Tshepo DD Maponyane’s development

INTRODUCTION:

Our neighbourhoods, our townships, our urban areas bustle with talent. Some of this talent will sprout on fertile soil that has readily available resources that will help nurture it to reach its full genius through access to academic training. But some of this talent will fall on barren soil with no potential for survival due to lack of financial nurturing, however because within those unfortunate seeds lurks innate survival drive, the inevitable drop of water or treatment of that barren soil that imbibe the environment with fertility; with potentiality for growth and development can help unlock the talent.

Such a change of prospect privileges the world to have the chance to come into contact with the innate creative force that battle the odds to emerge victorious as it speaks the gospel of art through form, colour, line and volume witnessed in the art object that grapples with the issues of the artists time; personal or worldly. Unlike his contemporaries Tshepo DD Maponyane developed from a barren environment that I have hitherto referred to and claimed his place within the contemporary art scene in South Africa.

The aim of this essay is to trace the development of the career of Tshepo DD Maponyane based on an extensive interview that I conducted with him in 2011 shortly after his return from Bali. Already at that time plans were underway to mount an exhibition of his work at the Pretoria Art Museum to afford his home town to his oeuvre in one space. It is my hope that the reader will come to realise the conditions within which this artist has emerged. The critical assessment of the work of the artist is not part of the current essay but will form part of a separate essay entitled ‘Self Introspection – A critical assessment’ therein his visual art output selected for his solo exhibition at the Pretoria Art Museum will be discussed.  

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For Sale Project Exhibition 2012

NOTE

What follows is a speech prepared to open officially the For Sale Project Exhibition 2012. Due to the hype around the exhibition at the evening of 1 August and the throng of people who responded to the opening I never gave this speech. Avoiding the heavy burden of history I instead improvised and picked up the most salient ideas around the exhibition and its aims. The speech as it is reproduced below serves to pay homage to my contemporaries in Pretoria/Tshwane within the visual arts who have been involved in this project over the last decade. It is reproduced herein for all to gain an understanding of our attempts to move visual  art forward in the City of Tshwane.

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Good evening ladies and gentleman. Artists. Thank you for joining us this evening as we open this year’s installment of the For Sale Project Exhibition. My name is Mmutle Arthur Kgokong, I am a Culture Officer for the City of Tshwane and I am responsible for Education and Development at the Pretoria Art Museum. I feel honored to share this evening with you. I shall not  give a critical commentary on the work that is on show for I believe that criticism in itself is designated to individual speculation as to what art concepts work better than others or which artwork is successful in a given context. Tonight I let you, in your personal capacity to be the judge – to be the connoisseur of fine art.

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Neo Resistance Art and its Fallacy (final edit!)

/a mistaken reasoning which makes an argument invalid/

/the ability not to be affected by something/

/skill, especially human skill as opposed to nature; skillful execution as an object in itself/

 

Take note that…

This is the final edition of an essay that I first published on 23 May, there have been a few omissions and additions made here and there, all done with the effort to zoom clearly on the preoccupation the essay raises. The original  work is still available in this blog.

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I was going to title the present article artwork. That title would not have encapsulated the issues that I would like to tackle presently. In a country that is divided economically and operating along racial lines, though covertly, when one looks at the so call liberal arts, even before consider such art as liberal, we must go to the beginning of the conception of an artwork which is in itself a problematic journey in itself. Yet its locale is quite clear, the conception of an artwork takes place within the exercising of freedom to respond to stimuli either internally or externally to the artist not from freedom of speech. Actually freedom of speech is the desire to share with everyone around you your fundamental concerns.

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Neo Resistance Art and its Fallacy

/a mistaken reasoning which makes an argument invalid/

/the ability not to be affected by something/

*(first draft)

I was going to title the present article artwork. That title would not have encapsulated the issues that I would like to tackle presently. In a country that is divided economically as well as operating along racial lines when one looks at the so call liberal arts, even before we consider such art liberal, we must go to the beginning of the conception of an artwork which is in itself a problematic journey. Yet its locale is quite clear, the conception of an artwork takes place within the exercising of freedom to respond to stimuli either internally or externally to the artist.

(more…)