Generation X: The return?

ßY the time you read this, Generations will be back on your screen. That is if you care about what’s on television. I am happy to report that it now boasts a subtitle nog al – it’s now called Generations ‘The Legacy’, which makes it sound hip and akin to some video game sequel or action movie flick of some sort; you just have to add an x or y to the title to heighten the tension of great expectations the title alone carries. Mara akere Generations is a soap opera, so the action you are bound to see will be limited to the scheming of character so and so to take down character so and so or z kissing with k or d was born an orphan or is an illegitimate child of q and p and has evil brewing within him and it will soon spew out in a feast of vengeance. I doubt though that this new Generations will have the same charm that it had before it went POOFoff for a spell following a hiatus with the previous actors who demanded higher wages in addition to an array of assortment bounty basket of employment conditions. The actors who ai-ai, ha, ai-ai, ha! – toi toiyingly flexed their muscles were subsequently fired. But besides the solidarity that some viewers showed to those axed actors, latterly the soapy lacked something. Deniably this fact groped at the back of our skulls like a shadowy problem masquerading as a tiny rock in our shoe, bugging us with each step and draining us of all amusement, Hao. We knew this even as we migrated to other channels in order to prove to Mfundi et al that we needed those actors back on our screen! We knew that something was wrong.

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Generations 16

Whether you watch soap operas or not if, somewhere down the line in your past you’ve been told that you’re not worth what you ask for, for a job well done, you will relate with the axed Generations actors whose acting careers are hanging by thin threads of an old blanky. Apparently they were fired for toyi-toying for a descent wage offer. This is a duel that has been going on for a year or so. To fire en masse pivotal actors of a prime time series is unheard of. How are you going to push the fundamental narrative? It might just give you enough courage to recall the death of Mpiyakhe Zungu on Isibaya season one, how his untimely death infuriated viewers to an extent that they threatened to boycott the series. Viewer continue to watch watched after being reassured of the fact that the plot was being concocted. The outcry on social network died into a hiss and Zungu was brought back as a Zombie.

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