Paradyse of The Damned Exhibition Teaser

BEAUCHAMP, Vusi. The Great Maestro, 2015. Mixed Media

BEAUCHAMP, Vusi. The Great Maestro, 2015. Mixed Media

One of the most interesting, unapologetic and provocative contemporary artist of our generation, Mxolisi Vusimuzi Beauchamp, shows a new body of work in his home town this season. His solo exhibition opens in Tshwane this Saturday, 16 May, at the Pretoria Art Museum at 1030 for 11:00.

The charm of Beauchamp’s present work is in its generous scale, laden with innuendo that straddles political commentary and our preoccupied mass consumer culture.

The body of work exhibited under the title Paradyse of The Damned shoves the viewer around dizzyingly and then suddenly by the collar, enacting a paucity of self opinion in as far as the viewer’s opinions are concerned towards a re-reading/viewing of our global political sphere and mass consumer culture from afresh.

It’s a tour de force– mmutleak.com

Diary Entry: Mxolisi Visimuzi Beauchamp

Mxolisi Vusimuzi Beauchamp at work. Image source, the artist facebook profile.

Beauchamp at work on The Great Maestro.. Image source, the artist facebook profile.

I read elsewhere that writing is a solitary experience. I am agreed thus far because I spent numerous moments hunched alone on my keyboard. I sometimes wonder if anyone would notice my efforts. History is the mess that remains of our ancestors’ endeavors as they try to survive, whatever their motives are. One’s intentions in achieving a goal are not always squeaky clean as far as the ego is concerned and not to mention self preservation. Anyway to chronicle history honestly it would mean not erring as far as taking sides is concerned, but to give as precise a detail as a historian can muster.

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