Intraparadox: An interview with Ilandi Barkhuizen

The Quadrille of Torture, Pain, Steel and Paint

14 May 2016

 Pretoria Art Museum

 

I spoke to Ilandi Barkhuizen on the morning of 14 May ahead of a group exhibition that will feature her work at the St. Lorient Fashion and Art Gallery on 15 May 2016 until 4 June 2016.

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Mmutle Arthur Kgokong. Good morning Ilanda Barkhizen, I hope I am pronouncing your name correctly there

Ilandi Barkhuizen. Oh its fine I heard worse (Laughs)

Mmutle AK.  yes, so my pronunciation is on spot?

Ilandi barkhuizen. Yes!

MAK. Thank you, welcome to Intraparadox a platform for interviewing artists of all calibers it really does not matter whether the artist sees themselves as a fully practicing artist or whether as a beginner. The idea of the platform is to try and reveal the person, the artist, the person behind the work and …at the moment I hope you are excited with the exhibition

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Interview with Mxolisi Vusimuzi Beauchamp (Part III)

Location: Pretoria Art Museum, Tshwane, South Africa

Date: Tuesday 17 February 2015 at 09:00

Part Three:

Identity /Ideology Bamboozled

 

Mmutle. So would you say the idea of identity in terms of the content of the work started to take shape somewhere during this period, as you were exposed to the work of Spike Lee in comparison to the work of John Singleton?

Vusi. There was another artist, an English-Nigerian who used Elephant dung in his artworks. I forget his name. But like in identity, interrogating the idea of identity you know in the arts Spike Lee’s ‘Bamboozled’ sort of put at rest my anger towards the way blacks were excluded. You know that movie it made sense in a way that entertainment and such things were not something that was reserved for black people in a way. Entertainment wise it was mocking them. That was the entertainment industry and I just wanted to find a way for escaping or teaching [myself] or finding a way to express my anger through specifying that there is a difference between an artist and a black artist. They are two different things.

Mmutle. You mean the difference between a white artist…?

Vusi. No-no, the difference between an artist and a black artist. You know if you are black you are not an artist you are a ‘black artist’. So there is that thing…

[Mmutle. So you are not an artist pure – you are a black artist.]

Vusi. That’s what helped me to interrogate this thing. I have always saw myself as an artist…

Mmutle. And now this dichotomy of

Beauchamp, Mxolisi Vusimuzi. New Industry, 2015. Mixed Media.

Beauchamp, Mxolisi Vusimuzi. New Industry, 2015. Mixed Media.

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Interview with Mxolisi Vusimuzi Beauchamp (Part II)

Location: Pretoria Art Museum, Tshwane, South Africa

Date: Tuesday 17 February 2015 at 09:00

 Part Two:

Intellectual Rebellion/No holes on the Walls

Mmutle. You’ve now moved into an interesting period where you are now studying at University level, at Tshwane University of Technology. If you were to compare your training at Tshwane University of Technology and your exposure to fine arts at high school. What were the differences in these two institutionS?

Vusi. There is a difference, the difference was that in high school I was left to my own devices to achieve freedom that I had and I was passing, I was marked for doing what I was doing naturally. With TUT they were teaching me techniques now, that’s the first time I explored oils, you know, and I was taught how to mix, using oils and the techniques, and applying oil and all those sorts of things and exploring different dimensions that I’ve never experimented with as in using acrylic paints to oil, actually layering the artwork – scumbling and [the] glazing of the artwork. I really enjoyed the paintings of Rembrandts, the van Gogh style, the Vermeer, Dutch painters and stuff. Well, like I said we were exposed mostly to the Europeans [artists]

Mmutle. Of course

Vusi. Style of painting a subject in a way a still life and figurative type of thing…

Mmutle. Did it bode well to you that your training at Tshwane University of Technology tended to focus more on Western Art than it exposed you to African Art or South African Art?

Beuchamp, Mxolisi Vusimuzi. The Future, 2015. Mixed Media.

Beuchamp, Mxolisi Vusimuzi. The Future, 2015. Mixed Media.

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