Cross-pollination: Interview with the artist Philiswa Lila

in my work now in terms of the techniques, the whole, it’s not the basic thing the important thing about your work and how you groom your skills in that way because when I came here I knew that I came here to learn how to make art without any art background from the Eastern Cape, I think that side of it I think there’s really umm… worked, in terms of facilitation umm I’ve never done any facilitation before at TUT, we’ve never, we’ve had classes where we were told about community engagement projects, first year, with the communication class but I think, it ends there, and I think it should be a continuation because by the time you get to third year you don’t know actually what to do if they start only in first year and it ends there. So they, all in all facilitation at TUT has never happened yah. So a lot of ummm I think that has made a lot of students that come out from there to get lost…in a way, because even…the only facilitation that we are told of is the teaching where you have to apply for a teaching course and you’ll be able to be a teacher but I think it has to tart somewhere because not all of us can be teachers in a way so yah.… Read More Cross-pollination: Interview with the artist Philiswa Lila

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Shifting the boundary: Interview with Nthabiseng Rachel Montshiwa

I think South African contemporary Art should always mark the social politics there should not be a compromise by the author on what kind of subject matter you focus on and also your technicality must not be compromised because you are looking into new media you should always base your media or medium into what kind of financial background you have and also do not apologize for what you are doing technologically extravagant focus on South African social politics in current issues there shouldn’t be a compromised on in terms of the artists media or technicalities base you media into what financial background you have. And also Do not apologize for wanting to be technologically extravagant, I think art is a history tool, it is a historical tool and in this case one should always focus on what’s current what’s affecting us in terms visual language, because an aesthetic is not technicality. An artwork is a message not necessarily a good aesthetic where people should always be enjoying your work but also the reference to it is more important than what you see in a gallery but also taking into consideration that however materials you choose you should always think about presentation because that also puts a space into sort of international market irrespective of what you use you should always have a formal presentation. Nthabiseng Rachel Montshiwa… Read More Shifting the boundary: Interview with Nthabiseng Rachel Montshiwa

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