From first sip of your cup; to quench the far away ending of a quest to look yonder for another love; its befitting to gesture that it was dreamy cool.
Oh Seluj; you whose eyes sang of hope and resilience for the dreams that swelled in your delicate bosom, yet in your fragility you gesticulated that even the fragile can dream.
For a while there I came three sixty five complete. In your breath. In your acknowledgement of my soul Seluj ‘oH.
Τhere are works of art that braves to tackle contemporary issues with verve and hold water while doing so and there are those that do exactly that within the confines of a small canvas scale, as far as cinematographic time accorded them is concerned, and manage to just get it perfect, leaving no loose ends and nuancing the demise or triumphs of the human spirit for us to think about. Thapelo Motloung’s Itshitshi (2017) fits snugly into the second paradigm∇
»More than a decade ago Telkom wanted to enter into the pay television foray. At that time the Soccer World Cup 2010 was just around the corner and there were pay television companies being set up to benefit from that sporting spectacle such as ODM (On Digital Media) and Sentech. Some of these licensed companies efforts would never see the light of the day despite the acquisition of licenses. Such were Telkom and Sentech’s efforts. Naspers Multichoice’s DStv established in 1995, was dominating the space as it is presently and sports coverage was, as it is today, its bargaining chip. Its future was secured«
»The consoling thing about Ferguson’s new drama series The Imposter is that the actor producer couple is not appearing in the series. Unless if a cameo appearance is planned down the line of the series airings. It would be great if the present status quo is kept as it is so that we can enjoy their craft from behind the scenes as they erect a stage for other talent to flex their muscles in the burgeoning South African television coliseum•
>>> Of all the expressions that I have encountered to date on the social media networks the expression ‘Mmmmmm’ is an odd encounter. In my limited experience ‘Mmmmmm’ together with its variant expressions which are en-vogue is very illusive in its intent whether read in context or out of context. You could blame me for being insensible, however I for one have always considered this expression closer to the palate than the ear drum. Unless if somehow my wires have become undone ever since hitting the big four zero•
Sonequa Martin-Green sad exit from the #TheWalkingDead as Sasha Williams to be casted as Lieutenant Commander Michael Burnham in Star Trek: Discovery proves that when one door closes another one opens and sometime that door is filled with better opportunities. She holds her ground as number one to Michelle Yeoh cast as Philippa Georgiou Captain of the USS Shenzhou as the new narrative opens for the new Star Trek. Martin-Green’s convincing performance leaves no traces of Sasha Williams and she looks like she might just take the devoted trekkies where they have always wanted to go …beyond imagination (which can be translated as ‘to boldly go when no one has gone before’).
#MyRating > 3dEFPoints/5 (for now based on the first episode which proposes a myriad of possibilities for a new story)
Image source: https://www.dailydot.com/parsec/star-trek-discovery-cast-timeline-trailer/
© mmutleak 2017
Mmutleak: #SABC’s dance drama #Tjovitjo is a grand proposal in the annals of modern narratives. Perhaps even a brave shot from the troubled #SABC. Unfortunate it is hurried unnecessarily •(3dDEFPoints/5)•
