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Intraparadox Interview with Thato Seboko: Dye my Memories
On the occasion of Thato Seboko’s upcoming exhibition of which I asked to interview him about his new work I presupposed that he had retained that aspect of his art making preoccupation but that he would be advancing a new vehicle to deliver what is synonymous with his work. I was not proven otherwise when… →
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Intraparadox: Interview with Elizabeth Balcomb
Tradition, absolutely I think that’s happening on a global level from what I can see when I look at the Venice Biennial – pieces that were there, I am excited by the fact that art moves and goes into new directions and I think it is great and South Africa, and so called African Art… →
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Interview with Mxolisi Vusimuzi Beauchamp (Part III)
Interview with Mxolisi Vusimuzi Beauchamp (Part III) →
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Interview with Mxolisi Vusimuzi Beauchamp (Part II)
Interview with Mxolisi Vusimuzi Beauchamp (Part II) →
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Interview with Mxolisi Vusimuzi Beauchamp (Part I)
Interview with Mxolisi Vusimuzi Beauchamp (Part I) →
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Diary Entry: Mxolisi Visimuzi Beauchamp
Art history is precisely a deal with the particular – just like economic history or political history (come to think of it: is there a math history, there must be); art history is a zooming in on a particular aspect of our society as a phenomenon – art. →
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Interview with Senzo Njabulo Shabangu (Part Two): Towards a Concrete Concept
Senzo. I met good artists at the classes offered by the Johannesburg Art Gallery, one guy Blessing Ngubeni I also met him there. He works here now. So we were kept busy drawing each other, doing portraits. I enjoyed it very much… Mmutle. This is in 2006 Senzo. Yes, it was nice because I did… →
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Interview with Senzo Njabulo Shabangu (Part One): Today, Tomorrow, Everyday
Mmutle. What was your experience of the, of the first solo exhibition that you had …and when was it? Senzo. My first solo exhibition I called it I ‘Naked Pressure’ it was in 2010 if I am not mistaken, because I met David Krut, no 2011, I met David Krut uhm, uhm after I won… →