Paradyse of The Damned Exhibition Teaser

One of the most interesting, unapologetic and provocative contemporary artist of our generation, Mxolisi Vusimuzi Beauchamp. Paradyse of The Damned - Its a tour de force

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Diary Entry: Mxolisi Visimuzi Beauchamp

Art history is precisely a deal with the particular – just like economic history or political history (come to think of it: is there a math history, there must be); art history is a zooming in on a particular aspect of our society as a phenomenon – art.

Fall of the Tomb

To whom does South Africa belong? to whom does Pretoria belong to? Fall of the Tomb reaffirms that it is only through a discursive contest of grounds that our flawed past can be grappled with mercilessly, looking at things as they were and are right now rather than wishing for a utopian version of our lives to meet us at our doorstep when we rise each morning.

Tshepo Mosopa’s Seemo Sa Boraro (Third Class)

The artist has hinted on one fact concerning the use of public transport with regard to the train ‘That the commuters lose their identity once they are inside the train coach especially those traveling third class. They are subjected to pick pocketing and clothes ruffling as if insignificant, meanwhile they are the power tools, the lifeline of the City’ ‘That the commuters lose their identity once they inside the train coach especially those traveling third class. They are subjected to pick pocketing and clothes ruffling as if insignificant’