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Intraparadox, An Interview with Sello Letswalo. A New Perspective. PAM. 27 Feb 2026
Letswalo’s entry in the SASOL New Signatures Visual Arts Competition 2025 saw him enter works that depicted Mapantsula, a South African sub-culture. This thematic shift is the focus of the present interception. →
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Murmurs in impasto and ink
Selekane’s Murmurs of Migration may refer to migration by its title but to a large extent, what the work is about, is a celebration of women and their role in our multifaceted society. Some of the works featured in this exhibition betray this observation, however, these works, whether paintings or prints carry other concerns that… →
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Intraparadox, Zanele Montle, a pentagonal-xperience
In the context of the Turbine Art Fair 2022, which is in its tenth year running, I reached out to Mme Zanele Montle, a contemporary artist based at August House, Johannesburg. Her work is featured in the Lizamore & Associates booth at the fair this weekend in an exhibition aptly titled Young Spirits. I’ll confess,… →
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Intraparadox, Sello Letswalo, a hexagonical experience
Sello Letswalo, now based in Johannesburg continues to explore steel sheet as an alternative to canvas. This correspondence occurred in the context of sequel to ‘O; Foreman, his solo exhibition that took place at Trent Art Gallery last year. Follow Intraparadox on Twitter and Facebook @mmutleak →
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Intraparadox, An Interview with Sello Letswalo, O’ Foreman
In this interception, I have a conversation with Sello Letswalo following his recent pop-up exhibition, O’ Foreman, at Trent Gallery, in Tshwane. The artist asserts that in that exhibition, he was preoccupied with Totems as forms of identity, their connection to our lineage and, to a certain extent, our customs. →
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Intraparadox, A Correspondence with Navel Seakamela
In this interception, entirely done via email correspondence, on the eve of his Solo Exhibition at Kalashnikovv Gallery, I attempted to locate Navel Seakamela’s art practice. →
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Intraparadox 