Interview with Mxolisi Vusimuzi Beauchamp (Part III)
Interview with Mxolisi Vusimuzi Beauchamp (Part II)
Interview with Mxolisi Vusimuzi Beauchamp (Part I)
Mmutle. What was your experience of the, of the first solo exhibition that you had …and when was it? Senzo. My first solo exhibition I called it I ‘Naked Pressure’ it was in 2010 if I am not mistaken, because I met David Krut, no 2011, I met David Krut uhm, uhm after I won the David Koloane Award in 2010. Trhough the award I acquired a working space here at the Bag Factory for three months. I was working with three international artists, one from Holland and one from Germany. For the first time uBaba koloane, I call him Doctor Koloane, Pat Mautloa, these people were here, they were around me and they were mentoring me, being there molding me. In the morning before we worked they will have coffee with me and they will talk to me. They gave me the opportunity to explore what I wanted to explore.
1935, May 13: Andrew 1Tshidiso Motjuoadi is Born in Limpopo (formerly Known as Northern Transvaal) 1935 – 1960: 2there is a scarcity of documentation around the artist life during this period. 1961 – 1962: Studies in Durban and University of the North 1963: First one man show in Johannesburg 1964: Motjuoadi is commissioned to paint …
Although I cannot speak with authority at the moment, but what emerged was an interrogation of the dwelling space, the flat, as a contested space between those who rent and those who lease
î∩ the visual arts the choice of subject matter, method of representation, the content of the work as well as the context within which a work of art is produced plays significant role in how the message inherent in the work is conveyed. Bearing these factors in mind when confronted with a work of art …