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Intraparadox, An Interview with Sello Letswalo. A New Perspective. PAM. 27 Feb 2026
Letswalo’s entry in the SASOL New Signatures Visual Arts Competition 2025 saw him enter works that depicted Mapantsula, a South African sub-culture. This thematic shift is the focus of the present interception. →
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Intraparadox Artwork on offer#1
Intraparadox fundraising season. Artwork on offer#1: Untitled (2025). Watercolour and Rooibos Tea on cotton paper. 37 x 26 cm (finished 16 October 2025) | SALE: R 3 000.00 →
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Intraparadox, Interview with Thabo Treasure Mofokeng. Still Standing. 4 Sep 2025.
[A] common thread that connects Thabo Treasure Mofokeng’s works, this year’s Runner-up winner for the SASOL New Signatures Visual Art Competition, as far as this art competition is concerned as a contemporary showcase of the visual arts, is that his work is the recognition of our inner selves as something akin to profoundness beyond limitations. →
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Intraparadox, Interview with Juandré van Eck. Cycles of the mind. 4 Sep 2025.
[The] winning work for this year’s SASOL New Signatures Visual Art Competition, Cycles of the Mind, collapses one of the most fundamental rules of art exhibited in a museum setting, the do not touch rule. →
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Intraparadox, Interview with Miné Kleynhans, Advent of Autogo[gy]-logy. PAM 3 September 2025.
[The] genesis of Augury after Autogogues, Miné Kleynhans’s solo exhibition at the Pretoria Art Museum started right after the end SASOL New Signatures Visual Art Competition 2024 opening ceremony when she was on flight to Bloemfontein. In this podcast, recorded on the morning of 03 September a few hours before this year’s overall winner, runner-up… →
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[a]rchive {SNS Visual Art 2025 Announcement.}
Archive: [S]ASOL New signatures Visual Arts Competition announcement 2025. →
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Intraparadox, Interview with Lerato Motaung. Whispers of What Was.JHB. 31 May 2025
Unlike the previous project, ‘Traces in the Still Air’ (2024) by Lerato Motaung, wherein the he utilised tires and broken glasses as a homage to his childhoold memories and to his grandmother in particular, in ‘Whispers of What Was’ (2025) he opted to deploy granite stones and wooden sleighd to drive a meditation once more… →
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Murmurs in impasto and ink
Selekane’s Murmurs of Migration may refer to migration by its title but to a large extent, what the work is about, is a celebration of women and their role in our multifaceted society. Some of the works featured in this exhibition betray this observation, however, these works, whether paintings or prints carry other concerns that… →
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