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Intraparadox, Interview with Juandré van Eck. Cycles of the mind. 4 Sep 2025.
[The] winning work for this year’s SASOL New Signatures Visual Art Competition, Cycles of the Mind, collapses one of the most fundamental rules of art exhibited in a museum setting, the do not touch rule. →
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Intraparadox, Interview with Miné Kleynhans, Advent of Autogo[gy]-logy. PAM 3 September 2025.
[The] genesis of Augury after Autogogues, Miné Kleynhans’s solo exhibition at the Pretoria Art Museum started right after the end SASOL New Signatures Visual Art Competition 2024 opening ceremony when she was on flight to Bloemfontein. In this podcast, recorded on the morning of 03 September a few hours before this year’s overall winner, runner-up… →
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[a]rchive {SNS Visual Art 2025 Announcement.}
Archive: [S]ASOL New signatures Visual Arts Competition announcement 2025. →
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Intraparadox, Interview with Lerato Motaung. Whispers of What Was.JHB. 31 May 2025
Unlike the previous project, ‘Traces in the Still Air’ (2024) by Lerato Motaung, wherein the he utilised tires and broken glasses as a homage to his childhoold memories and to his grandmother in particular, in ‘Whispers of What Was’ (2025) he opted to deploy granite stones and wooden sleighd to drive a meditation once more… →
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Murmurs in impasto and ink
Selekane’s Murmurs of Migration may refer to migration by its title but to a large extent, what the work is about, is a celebration of women and their role in our multifaceted society. Some of the works featured in this exhibition betray this observation, however, these works, whether paintings or prints carry other concerns that… →
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Intraparadox, Interview with Michael Selekane. Migration Melodies.JHB. 23 October 2024
On 15 November, Michael Selekane will unveil a new body of work at The White River Gallery. →
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Intraparadox, Interview with Fumani Maluleke. The Emergent Scroll. PAM. 30 August 2024
Walter Maluleke, The Emergent Scroll. →
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Intraparadox, Interview with Lerato Motaung. Traces In The Still Air. ViaCallLink. 21 October 2024
Traces In The Still Air an installation by Lerato Motaung. →