It is a privilege for one who has not dedicated one’s self to the pursuit of art practice, one who gathers joy in its consumption through the activity of looking to be afforded the opportunity to be familiar with those who are engaged in the production of the visual art object.
Visual Art Production like any other art form attains its full expression as a unique form of individualistic artistic expression now and then when a new talent emerges. It is a duty of those involved in its pursuit of visual art practice to unveil a new artistic language unique to their production in order that they are discernible from the multitudes of other artists. An artist achievement is unquestionable when, through hard work and prolonged search for individuality, arrive at a new artistic language to communicate ideas.
The triumph of an artist is in two respects. First, the artist must contend with their context in their pursuit of their chosen vocation this context differs from artist to artist. Secondly the artists must go through the rigors of mastering their chosen media.
With these two aspects conquered only then will the artist settle on a journey of self discovery and invention. These two aspects are here stated in their successive nature: first self discovery and second, invention. In their further elaboration: self discovery is attainable at that juncture when an artists fully embraces their vocation as creative participants in the visual arts and invention will stem from that point in their career when they stumble, more often through trial and error and seldom through luck, at what will be their formal language in art – their unique style. But before we swing wide we must retain and address context and media. Introduced at the first few lines of the present paragraph, context within which artists practice differs from artist to artist. More often it is financial circumstances that must be transcended in order to establish practice. With regard to the mastering of the chosen vehicle to deliver the message, or simply put medium, the artist must learn to acknowledge the artistic approaches laid down before him by his predecessors through Art History; blessed are those who learn directly from the master. Having gathered what is essential from the fountain of art practice, the master that is, the artist through time emerges and charts a unique route of their own. In the long run, through commitment and perseverance the artist will acquire his or her rightful place in the History of Art.