Intraparadox

Tag: Artists in Tshwane

  • Intraparadox, An Interview with Sello Letswalo. A New Perspective. PAM. 27 Feb 2026

    Letswalo’s entry in the SASOL New Signatures Visual Arts Competition 2025 saw him enter works that depicted Mapantsula, a South African sub-culture. This thematic shift is the focus of the present interception. →

  • Intraparadox, Sello Letswalo, a hexagonical experience

    Sello Letswalo, now based in Johannesburg continues to explore steel sheet as an alternative to canvas. This correspondence occurred in the context of sequel to ‘O; Foreman, his solo exhibition that took place at Trent Art Gallery last year. Follow Intraparadox on Twitter and Facebook @mmutleak →

  • Intraparadox, An Interview with Andrea du Plessis, Interplay Origins

    In this interception, I have a conversation with the artist herself following her winning of SASOL New Signatures Art Competition 2021. Our conversation traces her earlier attempts at entering the art competition, the development of her art practice and the evolution of the ideas and techniques that made Paloceae Lupantoza come into being. →

  • Intraparadox, An Interview with Sello Letswalo, O’ Foreman

    In this interception, I have a conversation with Sello Letswalo following his recent pop-up exhibition, O’ Foreman, at Trent Gallery, in Tshwane. The artist asserts that in that exhibition, he was preoccupied with Totems as forms of identity, their connection to our lineage and, to a certain extent, our customs. →

  • Intraparadox, An Interview with Navel Seakamela, Inner-Space Revisited

    In this interception I have a conversation with Navel Seakamela about his exhibition at Nel Gallery, Cape Town, which was part of the August House // Cape Town Collab – A Cultural Exchange during July and August this year. This event comes to a close on Saturday 28 August. 2021. →

  • Intraparadox, An Interview with Ilandi Barkhuizen

    Through 11 artworks that presents her in different cultural attires indigenous to South Africa, Ilandi Barkhuizen reasserts her identity as a South African and challenges the stereo typical notion of cultural artefacts being the exclusive of the cultural groupings within which they are conceived. →

  • Intraparadox, An Interview with Themba Msiza

    ASIA: Go Tsamaya ke go Bona reflected on the perpetual growth of regret, nostalgia, grief and joy that African foreign are confronted with in our country. Its portrait of how South Africans are detached from the rest of our continent and the experiences of foreign nationals South Africa. →

  • Hosea Matlou: Towards Simplicity

    Arriving in Gauteng – Tshwane in the new century Matlou hailed from Polokwane in Ga-Sekgopo district. His plans initially were to study Finance and accounting at Tshwane University of Technology (then Pretoria Technical College). With minimum training in the visual art received from sessions attended at a community based art project Matlou left the institution… →