SNS25EditAmbient Mix
[In] a time where South Africa is experiencing startling cases of femicide on a daily basis as a result of Gender Based Violence (GBV), Munger’s work, as she clearly puts it in her own words in the present interception and the shared artist statement below, ‘is a monument and a call to action’, I dare add, a call to our society to really do an introspection about this horrible moment we are faced with in order to curb and uproot this monster out of our society and cast it away. – mmutleak.
ARTIST’S STATEMENT
[Echoes of silence] serves as both a monument and a call to action. It is a piece that responds to the 2024 report by the Human Science Research Council on GBV within South Africa and confronts the devastating reality of GBV with specific emphasis on sexual violence against women in South Africa.
I have chosen steel for its association with strength and resilience, as it perfectly highlights the fighting spirit of the women who continue to survive and exist despite the echoes of silence.
Echoes of silence carries the weight of 2,150,342 intentionally aggressive grinder marks. This number is based solely on reported cases of sexual violence against women in South Africa. Although they may appear random, these marks are deliberate gestures to acknowledge every woman who has been a victim.
Visually referencing statistical graphs, the incomplete bases further acknowledge unreported cases. As light interacts with the pieces, the resulting shadows intensify the statistics, highlighting the scale of gender-based violence in the country. The rigid, grid-like installation is an oxymoron for the failing institutional structures meant to protect victims, while rusting rods and bases visually represent these failures.
My intention with this installation is to break the silence around gender-based violence and encourage dialogue and action. Every mark says, "You are seen, and you are heard." This makes the piece a space where trauma is not hidden but given form, where collective scars are transformed into visible testimony.
Gender-based violence does not discriminate; instead, it cuts across age, race, class, and culture.
This piece is not intended to speak for victims but is created by women for women; it aims to amplify their presence, voices, and truths.
16 October
© Mmutle Arthur Kgokong, 2026
To reference this audio documentation please cite:
Kgokong, M.A. 2026. Intraparadox, Interview with Charné Mungur. 2.150.342. 09 Sep 2026. SNS25EditAmbient Mix. Mmutleak.com-Intraparadox.
Reference credits
List of figures
- Charné Mungur. Echoes of Silence (2025). Steel Installation: 161 cm x 245 cm x 223 cm
Afterwords
* Original Image of Charné Mungur and artwork have been used with courtesy of SASOL New Signatures Visual Arts Competition.
+Artist’s statement extract supplied by SASOL New Signatures Visual Arts Competition.
<> I remain grateful to Charné Mungur for agreeing to sit with me for this interview. Le ka moso.
[] As always, I am appreciative of SASOL Art Collection curator Cate Terblanche and Marina Carlow of Marina Smithers PR for coordinating the interviews with the artists for this year’s edition of SASOL New Signatures Visual Arts Competition.
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