Intraparadox Artwork on offer#1
Intraparadox fundraising season. Artwork on offer#1: Untitled (2025). Watercolour and Rooibos Tea on cotton paper. 37 x 26 cm (finished 16 October 2025) | SALE: R 3 000.00… Read More Intraparadox Artwork on offer#1
Intraparadox fundraising season. Artwork on offer#1: Untitled (2025). Watercolour and Rooibos Tea on cotton paper. 37 x 26 cm (finished 16 October 2025) | SALE: R 3 000.00… Read More Intraparadox Artwork on offer#1
[A] common thread that connects Thabo Treasure Mofokeng’s works, this year’s Runner-up winner for the SASOL New Signatures Visual Art Competition, as far as this art competition is concerned as a contemporary showcase of the visual arts, is that his work is the recognition of our inner selves as something akin to profoundness beyond limitations.… Read More Intraparadox, Interview with Thabo Treasure Mofokeng. Still Standing. 4 Sep 2025.
[The] winning work for this year’s SASOL New Signatures Visual Art Competition, Cycles of the Mind, collapses one of the most fundamental rules of art exhibited in a museum setting, the do not touch rule.… Read More Intraparadox, Interview with Juandré van Eck. Cycles of the mind. 4 Sep 2025.
[The] genesis of Augury after Autogogues, Miné Kleynhans’s solo exhibition at the Pretoria Art Museum started right after the end SASOL New Signatures Visual Art Competition 2024 opening ceremony when she was on flight to Bloemfontein. In this podcast, recorded on the morning of 03 September a few hours before this year’s overall winner, runner-up and merit award winners were announced, I try to trace the conception of her solo exhibition and the contextual background of the body of work on show… Read More Intraparadox, Interview with Miné Kleynhans, Advent of Autogo[gy]-logy. PAM 3 September 2025.
Archive: [S]ASOL New signatures Visual Arts Competition announcement 2025. … Read More [a]rchive {SNS Visual Art 2025 Announcement.}
Unlike the previous project, ‘Traces in the Still Air’ (2024) by Lerato Motaung, wherein the he utilised tires and broken glasses as a homage to his childhoold memories and to his grandmother in particular, in ‘Whispers of What Was’ (2025) he opted to deploy granite stones and wooden sleighd to drive a meditation once more on memory albeit at this juncture to reconnect with his family’s affinity to the mining industry.
This is the latest experience. … Read More Intraparadox, Interview with Lerato Motaung. Whispers of What Was.JHB. 31 May 2025
Selekane’s Murmurs of Migration may refer to migration by its title but to a large extent, what the work is about, is a celebration of women and their role in our multifaceted society. Some of the works featured in this exhibition betray this observation, however, these works, whether paintings or prints carry other concerns that preoccupy the artist such as youth and unity in the community whether social or religious. In its collective communication, Murmurs of Migration seems to implore us to consider another form of migration. Another form of journeying. That is the journey of self-discovery through our interaction with others. This is quite befitting in a world caught up in a whirlpool of abandonment and alienation despite our shared space and time. … Read More Murmurs in impasto and ink
On 15 November, Michael Selekane will unveil a new body of work at The White River Gallery. … Read More Intraparadox, Interview with Michael Selekane. Migration Melodies.JHB. 23 October 2024