Intraparadox

Category: An exhibition review

  • Intraparadox, An Interview with Lerato Themba Kuzwayo

    When an entourage of artists consisting of Charles Sokhaya Nkosi, Ezekiel Budeli, Tumelo Mokopakgosi, Justice Mokoena and his prodigy Muziwakhe Ndhlovu arrived at the Pretoria Art Museum on 09 April 2021, it faced a monumental task of translating the Setswana proverbs of one of our great artists Lefifi Tladi. →

  • Intraparadox, An Interview with Themba Msiza

    ASIA: Go Tsamaya ke go Bona reflected on the perpetual growth of regret, nostalgia, grief and joy that African foreign are confronted with in our country. Its portrait of how South Africans are detached from the rest of our continent and the experiences of foreign nationals South Africa. →

  • Intraparadox, An Interview with Lerato Lodi. The Gathering. 05 May 2021

    In this interception, Lerato Lodi’s work ‘The Gathering’ guides a conversation that touches on the artist’s origins, art training and the ‘liminal space’ that exists between the physical and spiritual realm from whence the body of work comprising of her solo exhibition were realized. →

  • Who I am is connected to where I live exhibition (2nd edit)

    It is a daring undertaking for a curator to attempt to curate and present an exhibition comprising of a body of work of an artist as close as possible to what that artist had in mind when they thought of their work as a coherent cluster[1]. Equally, it is daring for an artist to invite… →

  • What do painters do all day?

    BKhz is a malleable space which in the future would see it dabble in other art forms as well, be it music or poetry. One can only enthusiastically imagine what artistic rippling effects emanating from 68 Juta Street would cause in Bramfontein in the year to come. →

  • Gestures

    The UNISA 4th year Exhibition presents a bag of thought provoking ideas about what challenges the South African society is struggling with. Thematically speaking it is a journey from the self to the populace. Of course since the works are heavy in conceptual content and considerable in scale they may not make it into the… →

  • The Symphony of Line and Colour

    I believe Khoza’s Temporary feelings has revealed an artist of an interesting vision and that only the freedom he possess at the moment wherein he is not signed to any commercial gallery will continue to encourage him to push the frontiers of his forte undeterred. The grip of the commercialization of his enterprise may limit… →

  • The Quadrille of Torture, Pain, Steel and Paint

    To the observant and informed viewer armed with knowledge of what Ilandi Barkhuizen has set out to do presently will be in a fortunate position to witness the erection of a conversation between steel and paint in an attempt to animate these two materials towards mimicry. →