South African Art
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Unlike the previous project, ‘Traces in the Still Air’ (2024) by Lerato Motaung, wherein the he utilised tires and broken glasses as a homage to his childhoold memories and to his grandmother in particular, in ‘Whispers of What Was’ (2025) he opted to deploy granite stones and wooden sleighd to drive a meditation once more…
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Despite the change in the ensembled artists in the present exhibition, in both Textured surfaces and Pieces and the world they inhabit exhibitions, both exhibitions give us the same insight into the nature of practices that these artists are engaged in. The difference is that the curator has elected to focus on close colleagues that…
