What do painters do all day?

»When I first received the invitation to this exhibition I thought I would perhaps see an array of paraphernalia of what amuses artists when they are at home chilled and not occupied with the uncertain nature of the visual art object. After all can one really work all day long without rest? As an artist, unless you are employed in a dimly lit sweatshop, there must be something else that occupies you during your art practice on any given day. I walked away from my viewing of the exhibition fortified in the idea that artists wrestle all day long with making art; even when they are suppose to be taking a breather«

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The Symphony of Line and Colour

I

Contemporary Outlook

|>>>/ There is something daring about art when it becomes a personal reflection; when it’s thematic considerations are meditations of its maker on themselves. This mode of working which is a tenant of contemporary art is a brave leap as the artist leads the viewer into a personal space both in imagery and a nuanced psychology of the self. If the body of work produced in this frame of mind sees the artist sharing personal anecdotes with the viewer through art making discourses then the viewer can be seen as accessing what can be akin to a memoir through a strewn body of a work that represents a ‘particular period’ in the artist’s life and career. The reader should note that I am saying that the memoir access that they will be subjected to with regard to the artist only represents a ‘particular period’ in the artist’s life because surely the artist focus, if they are constantly searching for new forms of artistic expressions, will shift in time and come to bare on something else \<<<|

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INTRAPARADOX: Interview with Nelmarie Du Preez

GUI Interrogations

26 September 2016 at 09:00, Pretoria Art Museum

 

[Mmutle Arthur Kgokong: Good morning Nelmarie]/[Nelmarie Du Preez: Good morning Mmutle/[Mmutle AK: It might have been great to see you immediately after the opening of SASOL New Signatures but we know that it is a very busy time with regards to the press the following day and obviously you might be having some works that you need to go back to the following day and so on ]/[Nelmarie dP (Smiles, nods and chuckles)]/[Mmutle AK: yah congratulations on the exhibition, something very different…]/[Nelmarie Dp: Yes (chuckles)]/[Mmutle AK: from what we are used to uhm you are focusing on automation and other things I see

NdP:

Uhm… automation mostly and how automation influences the way that we as humans communicate with each other and also how we extend our bodies via these machines that are automated or just you know programmed to enhance our daily lives and, so I am interested in what impact that has on our bodies but also on our relationships

MAK:

Ohh,… it is very interesting that you talk about relationships between machines and human beings and you know I feel when I look at your uhm your artist statement I came across this word which maybe it’s a simple word

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Dye My Memories

Say ''Peace''. Hair dye on canvas.2016

Seboko, Thato. Say Peace, 2016. Hair Dye on canvas. Dimensions not available

I spoke to Thato Seboko on Tuesday 12 April ahead of his solo exhibition opening at the Mellow House Factory in Tshwane, Hatfield. The artist was excited about his upcoming exhibition which will feature a new body of work comprising of 16 artworks. Presently he is working with a new media – hair dye, which is a non traditional art making material and can be looked upon as a new vehicle for artistic expression and thematic enunciation as far as new media is concerned. Since the artist retains a figurative approach in dealing with his subject matter something of fine art tradition is retained with regard to form but the accepted media of delivery is challenged and thus the boundary of art production process pushed further.

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Intraparadox: Interview with Elizabeth Balcomb

Auguries of Innocence

4 September at 09:40, Pretoria Art Museum

 Elizabeth Balcomb standing next to 'Son of Man, 2015' (3)

SELF PRESERVATION

Mmutle Arthur Kgokong: I hope you are ok this morning

Elizabeth Balcomb: I’m good very good, yes, yes

Mmutle AK: You slept in Pretoria or in Johannesburg? (laughs)

Elizabeth B: No in Pretoria, geeze just up the road, very closed. I’m fresh

MAK: …yah well I am glad that you are…

EB: close, close

MAK: fresh, you know, after last night’s busy evening.

EB: yes-yes

MAK: And thank you for agreeing to speak to me Elizabeth. Ehhm, I just want us to start right at the beginning. Where were you born, and you know, what was it like growing up where you were born?

EB: Alight, I was born in Westerneria, but ehhm when I was not even three months old my parents moved to Howick in KZN, ya, and then we moved to Pietermaritzburg after, …my father was a minister of a church, but this was during apartheid days, and he was part of the underground [movement] to overthrow the government and in his church he wanted black people to come…and and just start changing South Africa but [the church] elders kicked him out as a result and so we had to leave Howick and moved to Pietermaritzburg and he started lecturing Theology and so yah that was very part of my life was that experience, Yah…

MAK: So (interrupts)

EB: but, about, I wanted to beno, I was told the moment I started drawing pictures that I was talented and I had always had that encouragement my whole life and when I was about eleven years old I saw a sculpture and I wanted to start sculpting from about that age

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Speech: The Nature of an Artist’s journey

ON the 7 February 2015 at about ten in the morning I was about to read the prepared speech below at the opening of Tshwane University of Technology Department of Fine and Applied Arts BTech exhibition while I noticed, in the sea of the crowd nestle here and there serious looks including a couple of people who rolled their eyes upwards in the ‘here it comes’ attitude. This together with the occasional air blows from the nearby air con which ruffled my prepared speech papers in its duel against the onslaught of summer heat convinced me to ditch the speech and speak from an improvised angle. I doubt if anyone ate from my palms. Contrary to popular believe of the little circle I belong to, I am never comfortable speaking in public, even if it’s about what I feel passionate about, art. I find solace in the written text. Presently I hope that the speech below does justice to my improvised performance.

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Intraparadox – Interview with Dot Vermeulen: POSTING PRESENCE

Winning SASOL New Signatures 2013

Mmutle Arthur Kgokong: Good morning Dots, It’s a privilege to be with you at the Pretoria art museum and to look at the exhibition having won SASOL New Signatures 2013   Dot Vermeulen: Thank you it’s a privilege to be here [SMILES]   MAK: With the video installation, I can remember of the lady paging through a magazine or a book   DV: Yes   MAK: …and there was also a painting behind that animation of the exact image, but you know there was a stillness of the painting and there was an animation with the computer image or the images that was shown on the computer. One may wonder and say what were your thoughts when you won the SASOL New Signatures 2013, what went through your mind when you were told?   DV: I did not expect it at all, I was absolutely stunned and quite overwhelmed, feeling extraordinary, it was a very big surprise, very big surprise, yes.   MAK: Before then did you enter other art competitions or it was the first time?   DV: I took part in the SASOL New signatures twice before, and in the hundred finalists round, but I have never before become a finalist.   MAK: let alone a runner up?   DV: Yes   MAK: So you just went on to become the winner in 2013   DV: Yes totally surprised by that

posting presence, dot vermeulen (3)

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