COACO: Morena David Mthubu Koloane

At certain points in our life we meet people who influences how we see things. At the very best such moments are not really prolonged. It could be a conversation lasting for a few minutes or under fortunate circumstances it can turn out to be a philosophical exchange that lasts for years. However such finer moments in our lives are not really marked by their prolongations. They are marked by the exchange itself. They are marked by what one take away from them. From there on wards it really doesn’t matter how often one can be exposed to the one who have insight into things that we wrestle with. They have cleared the cobwebs. We return to them to iron whatever creases that may remain. This might be an extended privilege on our part because we already know what needs to be done.»»

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The Birth of ShowMax Deluxe

I don’t think anyone can say with confidence that they have seen this coming. Perhaps it was there at the back of our collective minds; I am talking to those of us who care about television. That there is no way, mhum let me correct my self here before I err – that there was no way that DStv would compete with Naspers Showmax. After all the two can easily trace their ancestry to a common ancestor, Naspers. On 13 June 2016 the two platforms came out in public to announce their union

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Intraparadox: an interview with Banele Khoza

23 March 2016

 

[Mmutle Arthur Kgokong: Good morning Banele Khoza]/[Banele Khoza: Hello Mmutle, how are you?]/[Mmutle AK: I am very well thank you, uhm welcome to Intraparadox, ehh I am glad you were able make time and see me ahead of your exhibition at the art museum which has something to do with your feelings, but we get to that point ehh towards the end of our interview. How are you doing man?]/[Banele K: I am good,

{clears throat}

sorry, I am pretty…I am good. I think for me it is such a huge honor for me for this to be happening cause you have mentioned so many times that you will be interviewing someone, interviewing someone and, I think the past years when I heard I was like, ….yoh, I wish I could be in that spot as well, just the same exhibition I think when I saw Vusi’s one last year I was like …woh… I wish I could do this. So for me, I think I am really excited that it has come to my side as well.]/[MAK:  Well I am glad to hear that because everybody has a fair chance to show to the world their artistic contribution and I think for someone who works hard like yourself ehh this is a well deserved opportunity. And ehh maybe we can even say that, as they say, things happen at the right time and at the right moment.  Yah uhm with the formalities out of the way I just want us to go back to the beginning of your life  so that we can sketch your portrait. Uhum where were you born?]

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The Dawn of OTT-SVOD War

Epilogue

{ON} Tuesday 16 November 2015 at exactly seventeen hundred hours (17:00) ShowMax went live. It moved from behind the scenes of Internet SVOD (Subscription Video On Demand) contested field that was occupied by Times Media Group’s VIDI and MTN’s FrontRow for quite some time to claim its stake in a burgeoning Over the top (OTT) content market. Following a bloody tripartite warfare for video On demand dominance, whether streamed or uploaded, witnessed in The Node Nadir Saga. By the conclusion of that chapter all stared in awe as Altech’s NODE caved in and grayed out into the recess of a distant memory

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Mr. Robot

(***_ _)

{P}erhaps you are one of a few people who at a certain point in your uneventful life you received an anonymous call or email from an unknown person claiming that they know what you have been up to as far as your online activity is concerned or in your other affairs that in one way or the other, somehow, connect to the information highway. If you have been around that corner before you will know that the thought of it raises hair you never knew you had on your backside

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It’s Complicated

{Ïn} a world where dramas, soapies and tele-novellas are rife Mzansi Magic’s new drama series, It’s Complicated holds its own turf. It is gripping, fun’ and thought provocative. By the way it is not a youth drama. Actually, it is the stuff of adults, which makes its positioning within the prime time zone allocated to it somewhat tricky considering its content. Were the steamy scenes of the recent Generations – The Legacy and Rhythm city paving a way towards a door step shy away for South African Television Production Houses to flirt with adult content at the time where the kids are still up? This is a moral topic reserved for a moral sermon leagues away in the future especially if you are thirsty for something new and you are huddled at home on a Friday evening with no kids around

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Things are about to get interestingly pristine

Mzanzi Magic HD

{Ïn} the modern fireplace story telling lore there is a period of high intensity activity when viewers’ attention is lobbied in all directions to consume television content ranging from actuality, current affairs, dramas and soapies. Recently, in South Africa, this period has seen a hyped up high intensity activity of attention seeking television content being rolled out in a generous scale, that is if you care about television. This is prime time television and to television channels whippers it is an important block in two respects. On the one hand the block is important because it is a lucrative slot for running commercials because around this time a lot of people are home and watching television. You just have to think about the various rancid funerals, life covers and investment policies being advertised between 18:00 – 22:00 time slot to acknowledge this. On the other hand the block is important for the television channels due to the expensive tariffs they charge to advertisers during this period. It is not a Milky Way phenomena thing that the channels need the money, so it has been reasoned, to give us quality programming.

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