South African Visual Art
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Unlike the previous project, ‘Traces in the Still Air’ (2024) by Lerato Motaung, wherein the he utilised tires and broken glasses as a homage to his childhoold memories and to his grandmother in particular, in ‘Whispers of What Was’ (2025) he opted to deploy granite stones and wooden sleighd to drive a meditation once more…
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Selekane’s Murmurs of Migration may refer to migration by its title but to a large extent, what the work is about, is a celebration of women and their role in our multifaceted society. Some of the works featured in this exhibition betray this observation, however, these works, whether paintings or prints carry other concerns that…
