Category Archives: late winter

Intraparadox: Zyman Amien’s “Real” lives and “Ordinary” objects

» Zyma Amien’s solo exhibition at the Pretoria Art Museum, Real’ lives and “Ordinary” objects: Partisan art-making strategies with garment workers of the Western Cape – Continuation  is part of the SASOL New Signatures Art Competition’s previous winner for 2016 continues the journey from where the winning work Paying Homage left off. The exhibition is a grand gesture of what the artist was preoccupied with then in a discursive journey that has also fed into her Masters studies. Presently she goes on an all out assault discourse tackling the reality of the garment factory worker. This is the exclusive interview I conducted with her on the morning of 31 August 2017

 

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Zyma Amien’s solo exhibition at the Pretoria Art Museum, Real’ lives and “Ordinary” objects: Partisan art-making strategies with garment workers of the Western Cape – Continuation  is part of SASOL New Signatures Art Competition 2016 overall winner’s solo exhibition and accompanies the main 2017 art competition exhibition. A competition which historically speaking this year takes a step in an uncharted territory in South Africa with regard to this year’s winner Lebohang Khanye. Of course art by its internal nature of conception is very individualist and subjective. And as I have always said somewhere in my many conversations with both of those within the circle of this industry and those at the peripheral – it is an unfair affair from the context of competition as the artist is a product of social circumstances. The artist has to battle with social circumstances of their birth and art education in order to emerge amongst the best in a hostile industry that can proclaim you a contemporary artist at this instance only to replace you with another artist a few month later if not weeks or days. However Kganye’s win of this year’s edition of SASOL New Signatures has its merit. Talk of the charm of using a medium that was already there but pushing it further in an attempt to see what can be achieved with it. Encapsulate it with a personal anecdote and what you have is a balanced piece with both content and form intact. Although video as an art form in this country has not really taken off with the mainstream art supporting society its presence is being significantly felt here and there for its performative  mode. Like the late Dot Vermeulen before her, we are about to find out where Lebohang Kganye will take video installation come 2018 this time of the year.

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Intrabyteparadox: interview with Lebohang Kganye

» Lebohang Kganye is the overall winner of SASOL New Signatures Art Competition 2017.  Her video installation ‘Ke Sa Le Teng’ is meticulously done. Taking its cure from pop up book construction and erecting a visual discourse from family photographs it weaves a narrative around the journey that artist’s family traversed from the rural to the urban area in an animation format that is both nostalgic and progressive at the same time. Like all grand gestures in art I leave you room to opinionate. I had the privilege of talking to her on the morning of 31 August 2017. Here is our intrabyteparadox talk

© Mmutle Arthur Kgokong 2017

Intraparadox Interview With Taiwo Olugbemega Ohu

» On the 23 of May 2016 I sat down with Taiwo Ohu against the background of his exhibition at the Pretoria Art Museum at that time. He spoke to me about his training, the challenges that face in the crises of lack of traditional art making material and his then upcoming exhibition which was meant to erect international good relations between South Africa and Nigeria

 

The Writerly Bug Juice: An Eulogy for Bok

I have no recollection how we got Fifi boxed in that afternoon. It was raining lightly and as the raindrops dews splattered gently besides the drain furrow, moistening the soil and collecting into streams around us to flowing into the furrow where our tussle was underway as our figures wrestled that of Fifi. Three against one. The power of memory is able to jolt scenes into stark relief without their sources except the impressions left behind by byways that lead us there time and again for a lifetime.

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The Node Nadir

{ON} 22 July, Altech (Allied Technologies Limited) announced that the NODE, its Video Streaming decoder, has unfortunately failed to take off with the South African consumers in the Pay Television sector and that it was planning to sell it. Here is a machine, which besides its Video On Demand (VoD) function, offered to smarten up your home with security system through motion detection. It sought to enable you to surf the internet through its embedded 3G or use it as a wifi hotspot around your house as well as a host of cool capabilities such as the ability to buy air time, pre-paid electricity as well as pay your Telkom and Eskom bills all from the comfort of your home. After nodding several times as I list these features you might be compelled to raise your index finger and enquire about the machine’s data gobbling appetite. Well the NODE uses satellite technology to push video content into its 1 Terabyte hard drive without data costs the same way DStv’s catch up Service functions. However the traditional use of internet comes with data costs which is fair enough; we’re so used to spending for data connection anyway ¶⌋

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Liberty

*the state of being free*a right of privilege*the ability to act as one pleases

 

A woman cannot assert her independence without, to a certain extent, negotiating or refuting the role of the men in her life. How else can a woman claim that she is free and yet hold on to the ideal that the men in her life should continue to honor her materialistically1 Is it possible for women to be liberated in our various societal compositions which forms the human race while neglecting men? I do think women can be liberated. But just like anything else in the world of worldly things, in the real – that is, they will have to give up certain features that define who they were in the first place, in the original sense of subjugation imposed or self afflicted and must make peace with how men will regard them from there onwards: They will become a competition to men. They will hunker for the same resources as far as careerism is concerned to survive. Hunting never shrunk away to be relished by a few, it morphed into a polished sophisticated something else akin to a sport of brutes

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Macaque [(selfie)] Effect

*a selfie is self-portrait photograph, typically taken with a hand-held camera or camera phone

SELFIES abound the social network. I think there is something immediate about them. I will come back to this line now-now.It is not as if the *selfie is a yesterday phenomenon. Think about the self portraits that adorns our galleries from the ages of yore yonder. In those days the artist, having contemplated himself, set out to capture his likeness as honesty as possible to capture his essence so that those who will give the priceless work attention and say ‘oh that is a Gerard Sekoto’ oh this is a Maggie Laubser will be titillated by the aura and mystery guess game of what the sitter, artist was preoccupied with when the work was spun.

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