At certain points in our life we meet people who influences how we see things. At the very best such moments are not really prolonged. It could be a conversation lasting for a few minutes or under fortunate circumstances it can turn out to be a philosophical exchange that lasts for years. However such finer moments in our lives are not really marked by their prolongations. They are marked by the exchange itself. They are marked by what one take away from them. From there on wards it really doesn’t matter how often one can be exposed to the one who have insight into things that we wrestle with. They have cleared the cobwebs. We return to them to iron whatever creases that may remain. This might be an extended privilege on our part because we already know what needs to be done.»»
» Sometime in 2005 the exhibition Take Me To The River (TMTTR) took place at the Pretoria Art Museum¹. That exhibition featured a group of international artists amongst them South African artists, Nicholas Hlobo, Sharlene Khan and Churchill Madikida (now Songezile Madikida). At that time the Genesis II exhibition was at its infancy. I recall how at the opening of that exhibition on the evening of Wednesday 25 May Together with some of the Education Assistants (Museum Volunteers) of that time, Thami Msimango, Nthabiseng Rachel Montshiwa and Mxolisi Xaba, we looked at what the TMTTR as a project had achieved; which was the group exhibition as well as the incorporation of art made by learners from Gatang Secondary School. This left us with a satisfied feeling that the learners eventually when they arrived that evening to for the opening would see where art can take them and where it eventually belonged when an artists is established; when their work became heritage.