[I] have tried not to be persuaded by my experience of talking to the artist and working on the transcription of our conversation not to read too much on his life’s impact on his work. However as I worked through the text I could not help but notice the symbols at work in his artistic output. These symbols are noticeable in the work Comfort (2020) which is also the title of the solo exhibition on show at BKhz Studio at the moment.(more…)
» Sometime in 2005 the exhibition Take Me To The River (TMTTR) took place at the Pretoria Art Museum¹. That exhibition featured a group of international artists amongst them South African artists, Nicholas Hlobo, Sharlene Khan and Churchill Madikida (now Songezile Madikida). At that time the Genesis II exhibition was at its infancy. I recall how at the opening of that exhibition on the evening of Wednesday 25 May Together with some of the Education Assistants (Museum Volunteers) of that time, Thami Msimango, Nthabiseng Rachel Montshiwa and Mxolisi Xaba, we looked at what the TMTTR as a project had achieved; which was the group exhibition as well as the incorporation of art made by learners from Gatang Secondary School. This left us with a satisfied feeling that the learners eventually when they arrived that evening to for the opening would see where art can take them and where it eventually belonged when an artists is established; when their work became heritage.
In this essay my aim is to discuss the Biography of the Jack Purcell sneakers. It will emerge that there is no way that the story can be told without considering the space within which the shoe has been bought and the processes that leads to its acquisition.
Mohlokomedi wa Tora
»Lebohang Kganye, SASOL New Signatures 2017 overall winner’s exhibition is up at the Pretoria Art Museum. Her 2017 winning work was groundbreaking in terms of the animation approach she used to make the video installation in telling her family’s journey to Johannesburg. The pop-up book animation effect was pervasive in twofold. While on the one hand it nuanced story telling by way of mimicking leafing through a book during reading it also recalled a stage play mode of representation. Now the results of her winnings which has to be translated into a solo project exhibitions are ready to be perused by all and sundry.
»More than a decade ago Telkom wanted to enter into the pay television foray. At that time the Soccer World Cup 2010 was just around the corner and there were pay television companies being set up to benefit from that sporting spectacle such as ODM (On Digital Media) and Sentech. Some of these licensed companies efforts would never see the light of the day despite the acquisition of licenses. Such were Telkom and Sentech’s efforts. Naspers Multichoice’s DStv established in 1995, was dominating the space as it is presently and sports coverage was, as it is today, its bargaining chip. Its future was secured«
»» The warning signals of the neglect of our boys has never been whistle clear as it is today. It is easy to blame someone but all this cold violence against women that we are witnessing begs a simple question. How do we raise our boys in comparison to girls? Have we evolved what it means to be a man in our contemporary society the same way we have evolved the idea of a woman as an identity and are continuing to do so in our effort to socially redress the role of women and parity thereof? No. Boys are neglected and are expected to grow into men who will love and protect our sisters, daughters and mothers as well as brother and fathers ««
I don’t think anyone can say with confidence that they have seen this coming. Perhaps it was there at the back of our collective minds; I am talking to those of us who care about television. That there is no way, mhum let me correct my self here before I err – that there was no way that DStv would compete with Naspers Showmax. After all the two can easily trace their ancestry to a common ancestor, Naspers. On 13 June 2016 the two platforms came out in public to announce their union∇
OUR City of Tshwane’ Honorable Mayor Kgosientso Ramogkopa together with his entourage responsible for Finance, Policing, Health Care and Human Settlement were featured on Power FM’s Power Perspective hosted by Onkgopotse JJ Tabane on the evening of 25 April around 22:00. Although the round table was an opportunity for the listeners to hear reflections on our leaders successes and challenges that they have faced whilst carrying our their mandate of moving our city forward as per their portfolios, I waited in bated breath to hear about the fate of the city’s employees who face being homeless by 30 June 2016. There was no mention of this issue in the lively conversation that ensued as listeners called in to comment or twittered on the various issues tackled through the live ‘round table discussion’. As an employee of the City of Tshwane and directly affected by the selling of its properties I wondered how my other colleagues who occupy houses and flats of this beautiful city felt at the end of the discussion as they wrestled for sleep∇
As South African political parties diverge in different directions this weekend across our country to launch their political manifestoes sandwiched with promises and posturing ahead of the oncoming local government elections on 3 August 2016 an uneasiness pervades the employees of the City of Tshwane and their families who have been renting apartments and houses from the municipality.
»During a mellow debate which took global center stage on the minds of fans of double O’ seven which toyed with the question as to who should portray Mr. James Bond when Daniel Craig steps away from the role of the British spy a lot of commentators both abroad and home exclaimed that it was about time the franchise transformed. A univocal sentiment was bellowed: it was about time someone in the caliber of Will Smith or Idris Alba took the role in a bid to show that the franchise had entered the 21st century; that it, the franchise, was mindful of our global community (with Smith in mind this will be rather on the extreme, but why not? After all writers are versatile in spinning myths in any direction they so desire). I don’t know what flared up this explosive thinking that gripped at the British psyche as far as its gift to the world is concerned but unlike you I suspect that it was the casting of Naomi Harris as Miss Moneypenny that caused paradigmatic anomaly within the grand narrative of the famous British Spy syntactic construction thus making the latter thinking possible. May I hazard to say it is only a matter of time that the unfathomable happen. Perhaps in our lifetime. It as if someone let the door ajar to invite fantastic ideas inside.