Visual Art Infrastructure


An exhibition’s core aim, never mind the content of the artworks, is to bring a body of work, executed by different or the same artist, into one space and create a dialogue between the artworks – this is also subordinate to the content of the work forming the exhibition; meaning the vision of what the overall feel of the exhibition should be is a huddle that must be negotiated by the artworks to be entered into the competition.… Read More Visual Art Infrastructure

Responsibility in Representation: Buthelezi


By hiding behind the name ‘Staff Writer’, which in a sense, delimits debate and is imbibed with the grey area effect – for we do not know who writes, is suspicious of disrespect for the subject matter. As far as the article in question id concerned the discerning reader must just read between the lines to pick up the underlying message; that the development of black artists in this country has as its highest rung luxury and disengagement with the immediate community erected and fixed.

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Tshepo Mosopa’s Seemo Sa Boraro (Third Class)


The artist has hinted on one fact concerning the use of public transport with regard to the train

‘That the commuters lose their identity once they are inside the train coach especially those traveling third class. They are subjected to pick pocketing and clothes ruffling as if insignificant, meanwhile they are the power tools, the lifeline of the City’

‘That the commuters lose their identity once they inside the train coach especially those traveling third class. They are subjected to pick pocketing and clothes ruffling as if insignificant’
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