Mohlokomedi wa Tora

Mohlokomedi wa Tora

Mohlokomedi wa Tora Installation 2

»Lebohang Kganye, SASOL New Signatures 2017 overall winner’s exhibition is up at the Pretoria Art Museum. Her 2017 winning work was groundbreaking in terms of the animation approach she used to make the video installation in telling her family’s journey to Johannesburg. The pop-up book animation effect was pervasive in twofold. While on the one hand it nuanced story telling by way of mimicking leafing through a book during reading it also recalled a stage play mode of representation. Now the results of her winnings which has to be translated into a solo project exhibitions are ready to be perused by all and sundry.

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The Symphony of Line and Colour

I

Contemporary Outlook

|>>>/ There is something daring about art when it becomes a personal reflection; when it’s thematic considerations are meditations of its maker on themselves. This mode of working which is a tenant of contemporary art is a brave leap as the artist leads the viewer into a personal space both in imagery and a nuanced psychology of the self. If the body of work produced in this frame of mind sees the artist sharing personal anecdotes with the viewer through art making discourses then the viewer can be seen as accessing what can be akin to a memoir through a strewn body of a work that represents a ‘particular period’ in the artist’s life and career. The reader should note that I am saying that the memoir access that they will be subjected to with regard to the artist only represents a ‘particular period’ in the artist’s life because surely the artist focus, if they are constantly searching for new forms of artistic expressions, will shift in time and come to bare on something else \<<<|

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The Quadrille of Torture, Pain, Steel and Paint

Ilandi Barkhuizen

prologue

The preoccupation with the surface area in art making is an integral part of art practice as much as the development of new media is. It is an area that we often don’t give attention to when we look at works of art, yet it is there. It is a pedestal unto which ideas are communicated to us. The ancient artists, the San Hunter Gatherers, understood this; for instance they would use the bulge of the inside of the cave’s surface to express the bump of an antelope in an attempt to mimic form

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Speech: The Nature of an Artist’s journey

ON the 7 February 2015 at about ten in the morning I was about to read the prepared speech below at the opening of Tshwane University of Technology Department of Fine and Applied Arts BTech exhibition while I noticed, in the sea of the crowd nestle here and there serious looks including a couple of people who rolled their eyes upwards in the ‘here it comes’ attitude. This together with the occasional air blows from the nearby air con which ruffled my prepared speech papers in its duel against the onslaught of summer heat convinced me to ditch the speech and speak from an improvised angle. I doubt if anyone ate from my palms. Contrary to popular believe of the little circle I belong to, I am never comfortable speaking in public, even if it’s about what I feel passionate about, art. I find solace in the written text. Presently I hope that the speech below does justice to my improvised performance.

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From a *bundle of joy’s perspective

A group of things or quantity of material tied or wrapped up together

 TWO commercials have pricked my interest lately. The Cadbury chocolate commercial, by Oglivy & Mother, wherein triplets in their mommy’s womb sing about joy and the Telkom’s commercial, by DDB South Africa, wherein three babies are listening to an account of a fourth baby’s experience in his mother’s womb. By the time of the development of the present article there was a proliferation of commercials featuring babies which expands the baby as a prominent element or device within the architecture of an advertisement to help establish a product’s communication with the consumer. It is noteworthy to observe, as far as the settings in these two commercials are concerned; that while the Cadbury’s bulk content is delivered within the womb that of Telkom is delivered outside of the womb. Whether Telkom’s commercial was a response to that of Cadbury’s is another textual outing wherein we will have to probe the deeper genesis of conception of these two works, a pursuit similar to that of the chicken and egg question as to which came first. A task that could lead us nowhere in the face of scarce resources to could enable us to fathom succinctly the genesis of the two works, or in the face of abundance of resources we might just end up writing a long drawn thesis which, though enticing, is not necessarily our intentions.

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Neo Resistance Art and its Fallacy

/a mistaken reasoning which makes an argument invalid/

/the ability not to be affected by something/

*(first draft)

I was going to title the present article artwork. That title would not have encapsulated the issues that I would like to tackle presently. In a country that is divided economically as well as operating along racial lines when one looks at the so call liberal arts, even before we consider such art liberal, we must go to the beginning of the conception of an artwork which is in itself a problematic journey. Yet its locale is quite clear, the conception of an artwork takes place within the exercising of freedom to respond to stimuli either internally or externally to the artist.

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Hierarchical specifications in Fish Eagle advertisement (revised edit)

The recent Fish Eagle advert deserves to be dissected into its respective constituencies in order to appreciate how it naturalizes the product it is about. From its quite opening right up to the moment when the eagle swoop down to take its prey, the advertisement is a well orchestrated campaign for selling brandy through connoting the brandy with supremacy as far as status is concerned. That status is hierarchically specified such that we have an effect mirroring the food chain pyramid.

At its opening the advert shows a lotus¹ flower opening after a dew drop falls within its bud, propelling the petals to open slowly, we may assume, at the encouragement of the nourishing dew. At the background soft key notes from a piano can be discerned amidst the quite and serene mood of the environment within which this drama of survival of the fittest unfolds.

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