Itshitshi

Τhere are works of art that braves to tackle contemporary issues with verve and hold water while doing so and there are those that do exactly that within the confines of a small canvas scale, as far as cinematographic time accorded them is concerned, and manage to just get it perfect, leaving no loose ends and nuancing the demise or triumphs of the human spirit for us to think about. Thapelo Motloung’s Itshitshi (2017) fits snugly into the second paradigm

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The Imposter

»The consoling thing about Ferguson’s new drama series The Imposter is that the actor producer couple is not appearing in the series. Unless if a cameo appearance is planned down the line of the series airings. It would be great if the present status quo is kept as it is so that we can enjoy their craft from behind the scenes as they erect a stage for other talent to flex their muscles in the burgeoning South African television coliseum

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SWAZIGOLD, Tlale Makhene

» Tlale Makhene’s new album has hit the sound sphere. I had a chance of listening to it. Verdict? lets just say I was transported…

  1. Ntfonjeni

Outlines the musicianship that will take you through this offering.

  1. Labantfu

Piano leads, Makhene’s percussion is pervasive as the melodious chorus of Max Hoba builds. Nathi Shongwe’s Keys raises the curtains.  Wait for the guitar of Erik Paliani to chip in and the Tenor Saxophone of Ayo Solanke to exchange with it and what you’ve got is a promise of things to come in Swazigold.

  1. Mahamba To Chilomoni

This track settles us within the album. Sabu Satsha is audible at the opening supporting the lyrics. But as the song takes it second turn Nathi Shongwe reintroduce the medoc vocals led by Max Hoba. Makhene is there entranced and on fire as one of the female vocalist goes into a Busi Mhlongo mode.

  1. Lelive

This is a horn base track thanks to the antics of Ayo Solanke on Tenor and Soprano Saxophone. With Max Hoba leading the meditative vocals. Makhene percussion and Satsha’s drums interjects periodically.

  1. Mswati

Shongwe and the vocalists pays homage to the King with Makhene creating a background canvas upon which all is invited to play.  Ayo Solanke’s horn chips in further down this track. Not aggressively so as not to upset this balanced orchestra.

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Mr. Robot

(***_ _)

{P}erhaps you are one of a few people who at a certain point in your uneventful life you received an anonymous call or email from an unknown person claiming that they know what you have been up to as far as your online activity is concerned or in your other affairs that in one way or the other, somehow, connect to the information highway. If you have been around that corner before you will know that the thought of it raises hair you never knew you had on your backside

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Film Review: Kwaito or Nothing

(♦♦♦−−)

{I} could not help it but think of Zulu Boy while watching this flick. Menzi Biyela cuts his teeth deeper into a fully fledged film. Unlike the Capfin advertisements he is synonymous known for here his acting talent surfaces. He stars as Mondli the taxi driver from Umlazi. He is brought to Gauteng by Baba Tshabalala a.k.a Mshengo (Emmanuel Nkosi) to work for him in the city with the last of his taxi’s

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Film Review: My Brother’s Keeper

Nomelezi V. Ntshimba as Tshepo and Miranda Mokhele as Dimakatso in Lehlohonolo ‘Shaft’ Moropane's My Brother's Keeper (2014)
Nomelezi V. Ntshimba as Tshepo and Miranda Mokhele Ntshangase as Dimakatso in Lehlohonolo ‘Shaft’ Moropane’s My Brother’s Keeper (2014)

{If} you are going to make a film about a narrative whose juice has been exhaustively squeezed to the point of dry bone snap you will be a miracle worker to find anything new to say. Lehlohonolo ‘Shaft’ Moropane’s My Brother’s Keeper (2014) is one such a film. It’s a love tragedy. Is there anything that anyone can do with this theme? This is an attempt. I invite you to be the judge

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Film Review: The Gift

Thembi Seete as Bontle Shona Ferguson as Thabiso in The Gift. Image source, http://citizen.co.za/wp-content/uploads/sites/18/2014/11/Page1A_2-599x400.jpg
Thembi Seete as Bontle Shona Ferguson as Thabiso in The Gift. Image source, http://citizen.co.za/wp-content/uploads/sites/18/2014/11/Page1A_2-599×400.jpg

FOR the most part, our society, through the family as its nucleus, pretends that everything is ok while secretly suppressing the nature of reality as is. The family is caught up by a yearning for opulence as a mark of prestige and progress or the wish itself to have more, by far and large the in-escapable feature of modernity. Often awesomely this situation, the acquisition of material comfort that is, is erected to the ire of those closer to home, our family members. If it does not breed jealousy that drives a wedge between siblings it draws us together artificially due to the material benefit boons it heralds

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