Intraparadox: Interview with Lebohang Kganye

Mohlokomedi wa Tora

»On the 30 August 2018 at the Pretoria Art Museum I had the privilege of interviewing Lebohang Kganye on her solo exhibition Mohlokomedi wa Torai. The body of work that she has produced for this project gives two matriarchical perspective of her family narratives from where Ke Sa Le Teng her SASOL New Signatures winning video installation left of.

Mohlokomedi wa Tora Installation 1

Mmutle Arthur Kgokong: Thank you Lebohang for agreeing to talk to me once more. Uhm, it is a very interesting exhibition from the winning work last year. When I first saw that it is an installation I was struck by the fact that you have included your old man in this exhibition to give us that familiar element in your work. I just wanna ask you, you know, how has it been for your to create a new body of work for this solo project? Having won the prize last year, how did you produce this work?

Lebohang Kganye: I think it is daunting, I think even when I won it, I have been thinking about working in a particular way or experimenting with something very particular which was installation. I have already done it but I have never really resolved it, I have been doing it for the animation pieces and for the photography element uhm people should experience the work in that was, but I have never resolved it how to… because it was temporal, because it was softer cardboard. How to make it stand. Or be more permanent if you can say so was not really resolved. So this was great because it allowed me the time I had a good budget to kinda figure out and experiment with that. So I think it was great because I already had an idea of what I wanted to do was an installation, even though I wanted it to move, and this and this and that, but it was just such a great starting point and I am extremely excited about how this part of it is resolved

(more…)

Mohlokomedi wa Tora

Mohlokomedi wa Tora

Mohlokomedi wa Tora Installation 2

»Lebohang Kganye, SASOL New Signatures 2017 overall winner’s exhibition is up at the Pretoria Art Museum. Her 2017 winning work was groundbreaking in terms of the animation approach she used to make the video installation in telling her family’s journey to Johannesburg. The pop-up book animation effect was pervasive in twofold. While on the one hand it nuanced story telling by way of mimicking leafing through a book during reading it also recalled a stage play mode of representation. Now the results of her winnings which has to be translated into a solo project exhibitions are ready to be perused by all and sundry.

(more…)

Itshitshi

Τhere are works of art that braves to tackle contemporary issues with verve and hold water while doing so and there are those that do exactly that within the confines of a small canvas scale, as far as cinematographic time accorded them is concerned, and manage to just get it perfect, leaving no loose ends and nuancing the demise or triumphs of the human spirit for us to think about. Thapelo Motloung’s Itshitshi (2017) fits snugly into the second paradigm

(more…)

The Imposter

»The consoling thing about Ferguson’s new drama series The Imposter is that the actor producer couple is not appearing in the series. Unless if a cameo appearance is planned down the line of the series airings. It would be great if the present status quo is kept as it is so that we can enjoy their craft from behind the scenes as they erect a stage for other talent to flex their muscles in the burgeoning South African television coliseum

(more…)

EarVasion – TLALE MAKHENE: Swazigold

» Tlale Makhene’s new album has hit the sound sphere. I had a chance of listening to it. Verdict? lets just say I was transported…

  1. Ntfonjeni

Outlines the musicianship that will take you through this offering.

  1. Labantfu

Piano leads, Makhene’s percussion is pervasive as the melodious chorus of Max Hoba builds. Nathi Shongwe’s Keys raises the curtains.  Wait for the guitar of Erik Paliani to chip in and the Tenor Saxophone of Ayo Solanke to exchange with it and what you’ve got is a promise of things to come in Swazigold.

  1. Mahamba To Chilomoni

This track settles us within the album. Sabu Satsha is audible at the opening supporting the lyrics. But as the song takes it second turn Nathi Shongwe reintroduce the medoc vocals led by Max Hoba. Makhene is there entranced and on fire as one of the female vocalist goes into a Busi Mhlongo mode.

  1. Lelive

This is a horn base track thanks to the antics of Ayo Solanke on Tenor and Soprano Saxophone. With Max Hoba leading the meditative vocals. Makhene percussion and Satsha’s drums interjects periodically.

  1. Mswati

Shongwe and the vocalists pays homage to the King with Makhene creating a background canvas upon which all is invited to play.  Ayo Solanke’s horn chips in further down this track. Not aggressively so as not to upset this balanced orchestra.

(more…)

Mr. Robot

(***_ _)

{P}erhaps you are one of a few people who at a certain point in your uneventful life you received an anonymous call or email from an unknown person claiming that they know what you have been up to as far as your online activity is concerned or in your other affairs that in one way or the other, somehow, connect to the information highway. If you have been around that corner before you will know that the thought of it raises hair you never knew you had on your backside

(more…)

Film Review: Kwaito or Nothing

(♦♦♦−−)

{I} could not help it but think of Zulu Boy while watching this flick. Menzi Biyela cuts his teeth deeper into a fully fledged film. Unlike the Capfin advertisements he is synonymous known for here his acting talent surfaces. He stars as Mondli the taxi driver from Umlazi. He is brought to Gauteng by Baba Tshabalala a.k.a Mshengo (Emmanuel Nkosi) to work for him in the city with the last of his taxi’s

(more…)

Film Review: My Brother’s Keeper

Nomelezi V. Ntshimba as Tshepo and Miranda Mokhele as Dimakatso in Lehlohonolo ‘Shaft’ Moropane's My Brother's Keeper (2014)

Nomelezi V. Ntshimba as Tshepo and Miranda Mokhele Ntshangase as Dimakatso in Lehlohonolo ‘Shaft’ Moropane’s My Brother’s Keeper (2014)

{If} you are going to make a film about a narrative whose juice has been exhaustively squeezed to the point of dry bone snap you will be a miracle worker to find anything new to say. Lehlohonolo ‘Shaft’ Moropane’s My Brother’s Keeper (2014) is one such a film. It’s a love tragedy. Is there anything that anyone can do with this theme? This is an attempt. I invite you to be the judge

(more…)

Film Review: The Gift

Thembi Seete as Bontle Shona Ferguson as Thabiso in The Gift. Image source, http://citizen.co.za/wp-content/uploads/sites/18/2014/11/Page1A_2-599x400.jpg

Thembi Seete as Bontle Shona Ferguson as Thabiso in The Gift. Image source, http://citizen.co.za/wp-content/uploads/sites/18/2014/11/Page1A_2-599×400.jpg

FOR the most part, our society, through the family as its nucleus, pretends that everything is ok while secretly suppressing the nature of reality as is. The family is caught up by a yearning for opulence as a mark of prestige and progress or the wish itself to have more, by far and large the in-escapable feature of modernity. Often awesomely this situation, the acquisition of material comfort that is, is erected to the ire of those closer to home, our family members. If it does not breed jealousy that drives a wedge between siblings it draws us together artificially due to the material benefit boons it heralds

(more…)

dEF’Rating: The Gift

Thembi Seete as Bontle Shona Ferguson as Thabiso in The Gift. Image source, http://citizen.co.za/wp-content/uploads/sites/18/2014/11/Page1A_2-599x400.jpg

Thembi Seete as Bontle Shona Ferguson as Thabiso in The Gift. Image source, http://citizen.co.za/wp-content/uploads/sites/18/2014/11/Page1A_2-599×400.jpg

The Gift continues the Ferguson’s crusade on their close scrutiny of our contemporary South African family when it is pitted against the demands and expectations of the world’s prying eyes. We’ve seen this concern in their telle novella, The Wild and their consistent drama series’ offering Rockville. The present work is shot with the same camera work intimacy characteristic of Rockville and the invasion of privacy approach or allow me to refine an expression I have used just now – ‘prying eyes perspective’ that has become characteristic of their work signature. There are moments you feel like you’re eaves dropping on what is being said or spying on what is happening when you view their work. While this film’s narrative is unoriginal, it is the flair with which perspective is given to the cracks of Motaung’s family as an organism that propels the film to stand its own ground in the annals of South African films; the work is freshen up in the way the cracks themselves are revealed and teased out from unexplored perspective. This perspective is the very deep seated conviction on how one sees and locate themselves within the family nucleus. The Ferguson’s The Gift delivers an interesting 4dEF’Points out of Five: ♦ ♦ ♦ ♦ /

Autumn

 

26 April

© Mmutle Arthur Kgokong 2015

mmutleak@gmail.com

follow @mmutleak