Telkom_LIT_TV_100 and the New Frontier

The LIT TVC 100 Packages then turns your home into a connected hub both in entertainment and productivity, concretely. Gradually Naspers through both DStv Now and Showmax has made its way into the OTT environment and Telkom LIT TVC 100 will provide one of the ecosystems within which it can thrive amongst other OTT’S. Make no mistake that the other internet service providers will hanker into the OTT’s application platforming over time; perhaps by platforming rather than erecting a new OTT service similar to Showmax or Netflix for that matter. It is a matter of how they will find their way there which will be of interest to those who care about the future of television. This is the new frontier that is opening up and Telkom dictates the way through data provision and platforming.

»More than a decade ago Telkom wanted to enter into the pay television foray. At that time the Soccer World Cup 2010 was just around the corner and there were pay television companies being set up to benefit from that sporting spectacle such as ODM (On Digital Media) and Sentech. Some of these licensed companies efforts would never see the light of the day despite the acquisition of licenses. Such were Telkom and Sentech’s efforts. Naspers Multichoice’s DStv established in 1995, was dominating the space as it is presently and sports coverage was, as it is today, its bargaining chip. Its future was secured«  

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The Imposter

The Imposter is an interesting proposal and risky too if one keeps in mind what the contemporary television viewer is bombarded with these days. The screen and its multitudes of channel feeds is awashed by prison break dramas and prison soap operas or soap operas that goes into a rogue mode when a principal character goes to prison and the audiences loyalty is split between the old saying ‘crime does not pay’ and the empathy solicited on behalf of the incarcerated character; to be set free

»The consoling thing about Ferguson’s new drama series The Imposter is that the actor producer couple is not appearing in the series. Unless if a cameo appearance is planned down the line of the series airings. It would be great if the present status quo is kept as it is so that we can enjoy their craft from behind the scenes as they erect a stage for other talent to flex their muscles in the burgeoning South African television coliseum

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The Birth of ShowMax Deluxe

I don’t think anyone can say with confidence that they have seen this coming. Perhaps it was there at the back of our collective minds; I am talking to those of us who care about television. That there is no way, mhum let me correct my self here before I err – that there was no way that DStv would compete with Naspers Showmax. After all the two can easily trace their ancestry to a common ancestor, Naspers. On 13 June 2016 the two platforms came out in public to announce their union

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Film Review: Elinye Ithuba

Elinye Ithuba is one of those works that interrogates the effects of our sacrifices and the fact that to undo the deeds that might have gotten us in trouble the first time around we might just have to pay a heavy price

♦  ♦  ♦  ♦  /  –

WP_20160526_19_17_26_Pro

Τhere is a moment in Elinye Ithuba wherein Dumisani (Blondie Makhene) and Hlengiwe (Slindile Nodangala)are reminiscing about the past and laments the time that Dumisani missed while he was in jail and music is playing in the background. Jovially he asks her who is the musician playing this good music and Hlengiwe responds that it is Blondie, surprisingly Dumisani exclaims that who would’ve thought that Blondie would still be singing after all these years

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Film Review: The Ring

The Ring attempts to be funny while it deals with the overcooked classic tale of love. Is there anything to say in this theme? Not really, except for the reshuffle of the sign system and point of view vis-à-vis perspective. Despite a few strong points here and there this film has its moments but offers us nothing new. It whispers to us a feather light 2deF’Points out of Five: ♦ ♦ /¶

image source: http://rndcdn.dstv.com/dstvcms/2015/12/08/ring.jpg
image source: http://rndcdn.dstv.com/dstvcms/2015/12/08/ring.jpg

There are works that simply repeat what we have seen before by just changing the context within which their narratives are rooted and then push the narratives towards us. One, supposedly a discerning viewer, can forgive such narratives for their repetitive swing if they are adorned with strong points in their construction. If the work is revisionist in its take of the subject matter concerned then the discerning viewer is in for a treat. If there is a lack in this regard but the work makes up for it in its actors performances or its production design which may represent a strong center point in the delivery of the narrative, the viewer – discerning or lay, may be forgiving as far as the failure of the work to advance story telling is concerned. The Ring, which falls in the latter spectrum is rescued by an ensemble of its actors as it tries to impress

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Film Review: Ilizwi

Ilizwi is a proposal that hints at what we could see in the future in terms of the bourgeoning South African film industry once the M-Net in Motion Academy 2015 Interns are striking it out on their own and are brave enough to venture outside of the box. The film initiates a new paranormal tale with a slight thrill build up and delivers to us a gentle 3deF’Points out of Five: ♦ ♦ ♦ /¶

♦  ♦  ♦  / – –

Ilizwi
Image Source:  https://pbs.twing.com/media/CVxVrIZU8AAoQqY.png

The story of paranormal activity with a twist of traditional African beliefs has been told before. In any case it would seem quite weird but not impossible for a protagonist to be inserted in a story set in South Africa wherein they are mysteriously blessed with telepathic prowess without attributing their power to some ancestral lineage. Imagine if there was such a film? Contextually speaking the creatives involved will have to push the imaginary envelope where no one has gone before. That place does exist. It is outside of the box

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ShowMax Deluxe is Naspers’ leap frog

With ShowMax Premium what we have here is a binging spectacle. Blessed are those who have time and money for a monumental content consumption.

*ShowMax Deluxe does not exist, it is a proposed concept


{UPON} its announcement to enter the fray of subscription video on demand (SVOD) at the over the top (OTT) content market ShowMax’s pre-narrative was told from two divergent but parallel strands. Naspers was pregnant with a subscription video on demand service. Upon its launch, it would offer subscription video on demand service via streaming – which was nothing new considering what was going on. Parallel to that narrative strand, a story was told of how it would compete with MultiChoice’s DStv, a satellite based pay television service. That narrative strand has pretty much remained the same following its activation a couple of weeks ago

Image Source: http://www.moneyweb.co.za/news/companies-and-deals/naspers-turns-attention-from-china-to-leapfrog-netflix-in-africa/
Image Source: http://www.moneyweb.co.za/news/companies-and-deals/naspers-turns-attention-from-china-to-leapfrog-netflix-in-africa/

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